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THE DRAGON AND THE DJINN

Another in Dickson's fantasy series (The Dragon, the Earl, and the Troll, 1994) featuring former college professor Jim Eckert and his wife, Angie, now resident in an alternate 14th-century England. Jim is a busy man: As well as being the knightly Sir James of Malencontri, he's apprentice to the AAA+ class magickian, Carolinus, and also a part-time dragon! This time out, friend and neighbor Sir Brian of Castle Smythe must travel to the city Palmyra in the Holy Land, the last known whereabouts of Sir Geoffrey de Chaney; Brian wants to ask the old knight for permission to wed his daughter, Geronde. After various adventures, Jim and Brian finally discover Sir Geoffrey, who turns out to be the rich merchant Murad of the Heavy Purse; Murad claims to be under such a dreadful curse that he can never return home. Ibn-Tariq, a self-taught sorcerer, asserts authorship of the curse, but Jim, a C-class magickian, knows that only demons have the power to curse humans. Indeed, ibn- Tariq has called forth a frightful demon, Ahriman, to help further his ambitions, in the mistaken belief that he could control the creature. So Jim's magickal determination will be tested to the uttermost as he strives to hurl Ahriman back into the realm of demons. An improved, agreeably lighthearted installmentthis time with solid 14th-century accouterments, engaging doings, and a narrative that doesn't take itself too seriously.

Pub Date: Jan. 1, 1996

ISBN: 0-441-00297-8

Page Count: 400

Publisher: Ace/Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1995

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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