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KISS ME HELLO

Sweet, sexy, eloquent and poignant, with a social-justice dimension.

When a lone-wolf criminal defense attorney who moonlights as a farrier meets a single foster mother and her troubled but compelling charge, he surprises himself by engaging in their struggles—even when she resists his help.

For years, MacKenzie Knightley has kept to himself, avoiding human entanglements as much as possible, so when he meets Sidonie Lindstrom and her foster son, Luis, he's surprised to feel an immediate connection. But Sid and Luis are wary of their new rural life, especially when Sid’s money becomes unexpectedly tied up in red tape, endangering Luis’ foster status. Sid is a city girl grieving the death of her brother, trying to nurture a teen with his own issues and navigate unexpected financial stresses, so Mac’s help and attention are welcome yet disconcerting. Sid is wary of lawyers, and Mac takes his sweet time in letting her know he is one. Meanwhile, as Mac becomes more entwined with Sid and Luis, he finds his other relationships strengthening, including those with his community and his family. And the more Sid tangles with local social services, especially a narrow-minded case worker, the more Mac strengthens his emotional arsenal, surprising all of them in the process. Burrowes has moved elegantly into contemporary romance with her Sweetest Kisses series and continues her penchant for mining intense situations beyond the love story. Her exploration of the mind-numbing bureaucracy of the foster care system lends an interesting and thought-provoking layer to the story while setting up the backbone of the emotional network Sid and Mac must create to save themselves.

Sweet, sexy, eloquent and poignant, with a social-justice dimension.

Pub Date: March 3, 2015

ISBN: 978-1-4022-7884-6

Page Count: 384

Publisher: Sourcebooks Casablanca

Review Posted Online: Jan. 7, 2015

Kirkus Reviews Issue: Jan. 15, 2015

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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HOMEPORT

To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.

Pub Date: March 23, 1998

ISBN: 0-399-14387-4

Page Count: 464

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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