The funnest book about death and post-apocalyptic living to date. Build it and we will come.
At a queer retirement community in Florida in 2067, a former entrepreneurial wunderkind gets ready to celebrate the end of her wild and precious life.
“It was the second half of the twenty-first century and everything was flavoured with apocalypse. And yet—this gelato-coloured place, its rolling lawns riddled joyfully with lesbians, flush with bisexual women, blessed by a bevy of trans and non-binary people—how could you leave a home like this?” Hannah Cardin, 77, has nonetheless decided the time has come. She’s spent the last 10 years of her life in this lezzie paradise, a place that bobs along on the surface of the climate disaster that’s submerged the state partly due to the environmentally friendly cooling system supergenius Hannah invented in her 20s. It’s been a bright and busy decade, but now that she has a terminal cancer diagnosis, Hannah’s chosen to close it with a bang of a party, then check in for euthanasia in the morning. In addition to all her beloved pals at the resort, she’s invited her old business partner, Luke, and her great lost love, Sophie. Will they show? As day-of party prep unfolds, a second narrative thread chronicles Hannah’s childhood in Montreal, her business career, and her relationship with Sophie, which ended sadly, badly, and with complications Hannah has never been aware of. While all the writing is delightful and fizzy, the descriptions of Montreal are particularly moving. “Montreal had a way of tucking itself behind your breastbone and not dislodging itself your whole life. Wherever you went, you’d carry this icy place around with you, to faraway cities and tropical climes.” There is much to enjoy in Flahive’s high-spirited debut—vibrant settings, smart worldbuilding, and exuberant, bawdy queer energy. Flahive manages her large cast of characters and relationships with glee; among them is gorgeous Esme, Hannah’s friend since college. Esme is also tangled up in the complications with Luke and Sophie that unfold in the flashback. This is where the book trips up a little, with soap opera–style overplotting, and a bit of a fizzle at the end. You’ll forgive Flahive because the ride was so much fun.
The funnest book about death and post-apocalyptic living to date. Build it and we will come.Pub Date: June 10, 2025
ISBN: 9781668065457
Page Count: 256
Publisher: Avid Reader Press
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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