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THE BODY PAPERS

A candidly courageous memoir.

A Filipino-American writer’s debut memoir about how she overcame a personal history fraught with racism, sexual trauma, mental illness, and cancer.

When Talusan (English/Tufts Univ.) and her student-parents moved from Manila to Chicago in the mid-1970s, they never dreamed they would eventually settle in Boston and live a traditional version of the American dream. Her father, Totoy, went on to enjoy a successful medical career, and the family joined the middle class; however, success was both fragile and costly. When Totoy’s student visa expired, the family lived for almost a decade in the shadow of possible deportation. In school, teachers mistook Talusan for Chinese and misrepresented her Filipino heritage. Yet the author thrived, both in the classroom and at home. Then a pedophilic paternal grandfather, whom the author later learned had done “monstrous things to three generations of his family,” began to live on and off with the family. Sexually abused from ages 7 to 13, the author suffered severe trauma that manifested in mysterious skin ailments and, later, insomnia, night terrors, nightmares, dissociation, and suicidal depression. Despite the learning difficulties her inner turmoil caused, she still managed to graduate from Tufts University. During college, Talusan learned that three maternal aunts had been diagnosed with breast cancer while another had been diagnosed with ovarian cancer. When she reached her mid-30s and was considering starting a family of her own with a husband she adored, the author voluntarily chose to have a double mastectomy. Later on, she opted for an oophorectomy that ended her dreams of motherhood. A return to the Philippines followed. Once in Manila, the author began a new quest to recover those lost parts of herself that had haunted her “like the insistent ache of a phantom limb.” Moving and eloquent, Talusan’s book is a testament not only to one woman’s fierce will to live, but also to the healing power of speaking the unspeakable.

A candidly courageous memoir.

Pub Date: April 2, 2019

ISBN: 978-1-63206-183-6

Page Count: 256

Publisher: Restless Books

Review Posted Online: Feb. 3, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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