A scenic yet tepid tale.
After one of them is diagnosed with a terminal illness, friends and lovers reconnect as they take on a pilgrimage to Rome.
Three years ago, Zoe, an American cartoonist from San Francisco, and Martin, an English engineer from Sheffield, met and fell in love while walking the Camino de Santiago de Compostela from France to Western Spain. Ultimately, Zoe couldn’t give up her life in America, and they parted as friends. Now, Zoe is back in France, about to take another journey with her college friend Camille, who has just found out she has multiple sclerosis. This time, they’ll be walking the Chemin d’Assise to Rome, where Camille hopes to see the pope. Thanks to some miscommunication, they're joined by Martin; his 20-year-old daughter, Sarah; and Bernhard, a college student who walked the Camino with them. Gilbert, Camille’s now not-so-ex-husband, is also along for the hike. With almost a thousand miles to go to Rome, there’s plenty of time for relationships to grow and wither while feelings long unspoken make their ways to the surface. In this follow-up to Two Steps Forward (2018), the husband-and-wife writing team of Simsion and Buist again divide the book into alternating chapters told from Zoe's and Martin’s points of view. Unfortunately, most of Zoe's and Martin’s character growth happened in the previous book, and characters with weightier journeys, such as Sarah, Camille, and Gilbert, are tragically overlooked. An emphasis, for better or for worse, is put on practicality when it comes to emotions, and that seems to sum up most of the writing: The bones of the story are there, but the feelings surrounding them seem to be stripped away. The descriptions of the towns and inns the characters stay in along the way are vivid, but the pilgrims themselves are drab.
A scenic yet tepid tale.Pub Date: Dec. 6, 2022
ISBN: 978-1-922458-86-5
Page Count: 368
Publisher: Text
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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