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LORD ROCHESTER'S MONKEY

BEING THE LIFE OF JOHN WILMOT, SECOND EARL OF ROCHESTER

This, the life of John Wilmot, Second Earl of Rochester (1647-1680), is Graham Greene's only biographical venture. Written in the early 1930's, it was not published at the time: Rochester's scandalous reputation as the Restoration's most debauched rake-hell, atheist and pornographer made publishers wary, and delayed for many years a due recognition of his very considerable poetic talents. "He might have been another Donne" had not the infamy of his life overshadowed his art. As it was, Rochester shone brightly for a few years at the head of the "merry gang" of sensualists that flocked about Charles Il in the early days of the Restoration when London cast off Puritanism and all flung themselves into a reckless orgy of merriment. A burnt-out case at 33, Rochester is a perfect subject for Greene who sees him as a "spoiled Puritan" using his wit to wreak vengeance on a corrupt and cynical society, not excluding the King and his many mistresses whom Rochester lampooned mercilessly. It was, as Greene points out, an age when Hobbes set the moral tone; the glitter and repartee at Court masked the most vicious and depraved practices. When banished from royal favor as he frequently was, Rochester continued his madcap adventures by setting himself up as an astrologer or an innkeeper, making love as a porter and traveling the roads as a beggar. Whores and lordly ruffians were his constant companions and when, on his deathbed, he became a penitent and embraced Christianity, friends and enemies scorned the conversion as madness. In the words of a contemporary, Rochester lived "as a torch to light himself to Hell thereby" and Greene charts his passage to that fiery place with the taut, restrained compassion which he always extends to fallen idols and angels.

Pub Date: Sept. 16, 1974

ISBN: 0140101543

Page Count: 197

Publisher: Viking

Review Posted Online: Sept. 24, 2011

Kirkus Reviews Issue: Sept. 1, 1974

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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