by Graham Greene ‧ RELEASE DATE: Sept. 16, 1971
Mr. Greene's fractional biography — his sort of life is only a part of a life up through the publication of his early, forgotten novels — is a reproof of Auden's overreaching contention that "biographies of writers, whether written by others or themselves, are always superfluous and usually in bad taste." It is not superfluous since it prefigures, isolates, and supplements much of the material which will later be part of his works, and he is certainly most discreet in releasing this material from the "mortmain of the past." Greene, one of six children of a larger family divided between the rich Greenes and the intellectual Greenes, was a child of many fears and even stronger terrors. His father was a headmaster and he loathed being a student in that school — "like the son of a quisling in a country under occupation." His marginal stability manifested itself at various intervals throughout the years: he was sent to an analyst at about sixteen; later in Oxford, while hoping to seduce a governess, he also flirted with a revolver over and over again. His first odd jobs led to a more permanent one with The Times but he was steadily writing a string of novels, unpublished, until finally The Man Within was accepted but success was tenuous for the next ten years. From the beginning he has made clear that he was "overshadowed by the knowledge of failure, by awareness of the flawed intention"; indeed hesitation, as well as candor, is implied in the title he has chosen. Perhaps it will not come on strongly enough for those who are not already among Graham Greene's admirers, but most readers will be gratified that he has searched his memory which is "like a long broken night.
Pub Date: Sept. 16, 1971
ISBN: 0671451987
Page Count: 156
Publisher: Simon & Schuster
Review Posted Online: Sept. 24, 2011
Kirkus Reviews Issue: Sept. 1, 1971
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edited by Christopher Hawtree & by Graham Greene
BOOK REVIEW
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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IN THE NEWS
SEEN & HEARD
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
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