by Graham Holliday ‧ RELEASE DATE: April 14, 2017
The navel-gazing about the pluses and minuses of modernization is expendable, but Holliday provides a lively snapshot of an...
A British journalist who lived in Korea in the 1990s chronicles his return in 2015, when he found the culinary landscape transformed, mostly for the better.
It didn’t seem promising when a friend took Holliday (Eating Viet Nam, 2015) to a small restaurant in downtown Seoul and invited him to eat pizza flavored with fruitcake, proclaiming, “this is the future.” While teaching in Korea 20 years earlier, the author fell in love with its down-home, superspicy food; fruitcake pizza was not his idea of a good development. However, he was excited by the new pride Koreans take in their cuisine, no longer embarrassed that it is “too smelly, too spicy.” So Holliday decided to travel around the country sampling its quintessential dishes. He fears—as he notes a few too many times—that traditional Korean food is disappearing like the old hanok bungalows bulldozed to make way for skyscrapers. On the contrary, he discovered, the new cooks take pride in reclaiming old recipes. As the narrative moves out of Seoul into the provinces, the author makes palpable the “glorious stench” and mouth-burning tastes of a highly spiced cuisine, from kimchi to bibimbap, a one-bowl festival of flavors that is a specialty of the city of Jeonju. Like many food books, the parade of one meal after another can become wearying, and Holliday’s lingering descriptions of textures and substances that are bizarre by Western standards (“it was as if a urinal cake were now lodged inside me”) are not for the squeamish. But his cook’s tour also includes interesting observations on Korea’s rapidly changing society: the increasing assertiveness of its once-subservient women counterpoised against the rage for plastic surgery, its “quickly-quickly” culture contrasted with the mysterious concept of han, a state of soul combining “irresolvable pain [and] unrealizable dreams” that Koreans regard as a uniquely national quality.
The navel-gazing about the pluses and minuses of modernization is expendable, but Holliday provides a lively snapshot of an ancient culture in transition.Pub Date: April 14, 2017
ISBN: 978-0-06-240076-5
Page Count: 320
Publisher: Anthony Bourdain/Ecco
Review Posted Online: Nov. 19, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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