Fans of historical fiction will like this unusual take on World War II.
America pits dollars against reichsmarks in this tale of economic warfare.
In August 1939, war has not quite begun. In Minnesota, government employee Ansel Luxford is horrified at the looming Nazi threat. He goes to work for the U.S. Treasury Department with a plan to fight Hitler: Dry up his source of money to purchase war materiel. Then hostilities begin, and if the U.S., which is legally neutral, is going to provide critical goods to France and Great Britain, it must also be willing to sell to Germany. How to get around that? Let the Germans know that they must pay in U.S. dollars and not reichsmarks, and make sure they don’t have those dollars to pay. And then “lend” the U.K. 150 million bullets and lots of military hardware, like tanks. That oversimplifies the plot, but that’s the gist. Using meticulous research, the author recounts a little-known aspect of the fight against the Nazis. All the characters and biographical details are historically accurate but for a few the author acknowledges at the end. The result is a painless tutorial in economic theory, with vigorous debates about the value of the dollar versus sterling. Once America is in the war, talk turns to the future: Could a world bank and an international monetary fund prevent future global conflicts? The story doesn’t show any dramatic pain suffered by the Germans, perhaps because a dollar desert and Nazi battlefield losses are hard to conflate in a scene. The characters are fascinating, such as Harry Dexter White, a senior U.S. Treasury official believed to have been a Soviet spy, and the brilliant and arrogant John Maynard Keynes. The author lifts Luxford from complete obscurity into quiet heroism, apparently well deserved. There’s a mystery about a displaced paper clip and a threat with an unloaded pistol, but little else titillates the senses. Still, the story flows well and will hold readers’ attention.
Fans of historical fiction will like this unusual take on World War II.Pub Date: May 21, 2024
ISBN: 9780593731925
Page Count: 384
Publisher: Random House
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
Come for the forensics, stay for the nonhumans.
A Christmas bout between Kay Scarpetta and the Phantom Slasher.
But first, Scarpetta, Virginia’s chief medical examiner, has to figure out how software designer Rowdy O’Leary died. Fished from the Potomac River on Christmas Eve six years after a hit-and-run driver left him permanently disabled and a week after he plunked down the cash for a pricey emerald ring, he fell off his fishing perch and drowned—or did he? Scarpetta’s examination of his body is cut short by two disturbing developments: the discovery of an unidentified woman’s remains buried on the grounds of Mercy Psychiatric Hospital, and celebrity TV reporter Dana Diletti’s report that the red-eyed ghost associated with the Slasher’s three murders has floated through the window of her home. She’s got video, too, and the apparition looks real and scary. The final blow to Scarpetta’s plans for a Christmas getaway with her husband, Secret Service forensic psychologist Benton Wesley, is an attack on an Alexandria home that kills Mercy psychiatrist Georgine Duvall, who used to treat Scarpetta’s niece, Lucy Farinelli, and nearly kills graduate student Zain Willard, White House intern and nephew of presidential candidate Sen. Calvin Willard. This time the Slasher’s ghost has been spotted on the scene by none other than Pete Marino, head of investigations for the medical examiner’s office and Scarpetta’s longtime sidekick. Cornwell’s use of Robbie, Zain’s robotic dog, and Janet, Lucy’s AI companion, integrates the futuristic elements she favors more successfully than in her recent outings. But the solutions to all these mysteries will leave fans of the venerable franchise pursing their lips rather than gasping in awe.
Come for the forensics, stay for the nonhumans.Pub Date: Oct. 7, 2025
ISBN: 9781538773963
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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