A page-turner well suited for readers seeking a light domestic thriller.
A daughter discovers layers of secrets surrounding her parentage when she returns to Ireland to settle her mother’s estate.
University professor Elizabeth Keane flies to Ireland to clean out her mother Patricia’s house in Buncarragh and ready it for sale. She discovers a box of letters from Edward Foley, the father she never met and whom she was told had died when she was an infant, and realizes she has little idea who Patricia was outside her role as a mother. Nearly all grown children realize this truth at some point, and yet it hits Elizabeth at an especially timely moment, as she’s a single mother to her son, Zach, who is nearing adulthood, and she faces a life just as alone as she perceived her mother's to be. To complicate matters, her mother’s lawyer informs Elizabeth that she has inherited a second property, her father’s house, which prompts a new round of investigation. Interspersed with the chapters about Elizabeth’s questions, other chapters flash back to detail Patricia’s initial correspondence and later relationship with Edward. These sections become increasingly tense as Patricia visits his home and glimpses the sadness and dysfunction that grip him and his mother. In the present moment, Elizabeth’s life also becomes uncertain as she discovers Zach is lying about visiting his father and keeping secrets of his own. Irish television personality Norton (Holding, 2017, etc.) has crafted what turns out to be an ominous mystery for his second novel as two stories about motherhood unfurl simultaneously. At times, the characters seem to almost be running to keep up with the plot twists, which leaves little time for full development or more than surface-level insight into their motivations. Unlike Norton’s first novel, focus is on the plot as the site of intrigue, but affinity with the characters is the cost.
A page-turner well suited for readers seeking a light domestic thriller.Pub Date: Aug. 13, 2019
ISBN: 978-1-9821-1776-4
Page Count: 320
Publisher: Atria
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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