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WORKING STIFF

THE MISADVENTURES OF AN ACCIDENTAL SEXPERT

This odyssey of luck is often charmingly relayed. However, by the time the formerly mousy Brit finds himself in California...

Undereducated, undernourished, underemployed git from Essex shows up in Manhattan and falls into job as sex columnist for hot website.

To say that Stoddard is the absolute last guy one would imagine to end up in the job he did would be an understatement of staggering proportions. After a raucous flash-forward detailing in graphic terms his experience having sex with himself (it involves plaster of Paris, a mold and a willing female friend with a harness) at a California ranch, Stoddard's memoir winds back to his modest roots in the benighted borough of Thurrock, Essex, one of England's “cultural blind spots.” Initially possessed of absolutely no luck with the opposite sex—those years at Thames Valley University are cringingly hilarious—Stoddard finally loses his virginity to a friend he visits in the US. His New York visits begin to stretch out, and he’s soon a bona fide Manhattanite, working for a small record label, conniving for cheap rent and getting as much mileage out of his British accent as he can. Although the meat of the book involves Stoddard's almost accidental hiring at the sex website Nerve.com at the height of the Internet boom—and his misadventures as the site's wacky columnist—his low-key writer's voice is better suited to the sad-sack persona he develops early on. Stoddard's descriptions of his increasingly edgy sex misadventures (bondage summer camp, public orgies, working out a closetful of kinks with an apparently endless stream of ready-and-willing New York girls) are enjoyable for their geek-out-of-geekdom charm. But the appeal here winds down as his career amps up.

This odyssey of luck is often charmingly relayed. However, by the time the formerly mousy Brit finds himself in California shooting a pilot for VH1 and sleeping with teenagers, it all loses its luster.

Pub Date: Jan. 9, 2007

ISBN: 0-06-087612-3

Page Count: 304

Publisher: Perennial/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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