In Reed’s (Shadow of the Makarios, 2013) wacky novel, a private eye, a robot and a tiny dragon investigate some odd occurrences in a mythical seaside community.
Newly licensed PI Garrett Willigins enjoys a bromance with roommate Merle, a talking dragon he just can’t train. In spite of Merle being warned not to entertain lady friends in Garrett’s bed when he is away, a telltale pink scale lies between the sheets. Merle and Garrett recently arrived in the realm of Vellia’s thriving community of Deep Cove, reaching “from the high sea cliffs of the fiefdom and sprawling eastwards.” This setting and the presence of a king and courts suggest medieval times, but Reed throws readers a curveball with the introduction of P.C., a clean-freak automaton sporting “a fine pink apron around his iron midriff.” Aided by P.C. and Merle, Garrett looks for ways to pay his rent. To that end, he’s hired by “local muscle” Mr. Kline to replace one of his workers, a fishmonger, who has disappeared. When Garrett discovers the worker’s crucified body, he swings into PI mode. All indications are that the head of the region’s Crime Syndicate, or someone close to him, committed the grisly murder. This is a constantly churning stew of a novel, a jumble of genre elements that often clash—a detective story, often bawdy humor, dashes of sci-fi, a pinch of romance and a heaping helping of mob violence. One of the narrative’s crimes is letting the plotline get muddled with divergent episodes and too many characters, some with modern-sounding names (Rudy Wilson, Daniel Kline, etc.) and others with Round Table–ish monikers (Pacorro, Oved, Rowgar, etc.). But Reed has a wonderful way with descriptions, and much of his book is just fun-to-read silliness, especially the parts featuring ogres and minotaurs. Before ogre Maury’s ukulele performance, he asks the crowd, “What do you call a minotaur with no legs? Ground Beef!” More levity, mystery and fantasy are in store; this is only the first of the Vellian Mysteries trilogy.
A potluck of genres that’s sometimes tasty, sometimes hard to swallow.
Pub Date: March 15, 2014
ISBN: N/A
Page Count: 254
Publisher: Amazon Digital Services
Review Posted Online: July 22, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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