A breezy, anecdotal insider's memoir of network television, from a top producer (``The Mary Tyler Moore Show'') who also chaired NBC for five years in the early 1980s. Aided by former NBC executive Rukeyser, Tinker spins stories from 40 years in a colloquial, irreverent voice; he admits most of his important decisions were made haphazardly. In 1949, after failing to find a job in publishing, he joined NBC Radio, developing quiz shows, then crossing over to the network's fledgling TV section. After leaving for a stint in advertising, he returned to NBC's California division in time to further his relationship with Mary Tyler Moore of ``The Dick Van Dyke Show,'' who became his second wife. Eventually, Tinker decided to form a production company—MTM—when his wife was offered her own show. Tinker affectionately recalls the talents and trials involved in building unorthodox shows like ``Hill Street Blues,'' where network anxieties had to be assuaged, and ``Lou Grant,'' which lost sponsors in response to star Ed Asner's vocal leftist politics. Tinker's years at NBC were rewarding, but he laments the network's takeover by General Electric, with ``it's just another business'' approach. Tinker imparts some lessons learned along the way. Programmers should follow their instincts and recognize that new series, especially innovative ones, need time to find an audience. Flagship news programs represent the network at its best, so the current belt-tightening bodes ill for quality. Tinker takes pride in having booted shock-jock Howard Stern from NBC radio. But the high standards and public service approach he calls for will rely more on networks' noblesse oblige than on policy proposals. He also predicts, contrary to the view of many media observers, that some networks will continue to thrive in the expanding universe of cable. A late-summer beach read for TV folk and curious couch potatoes. (8 pages b&w photos—not seen)
Pub Date: Sept. 1, 1994
ISBN: 0-671-75940-X
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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