Replete with “huh?” moments.
This Washington thriller achieves suspense mostly through misdirection.
At one point, a character wonders what another is really up to, but most of the characters here actually have hidden agendas. Case in point: Avery Chambers. As a therapist, she’s gone rogue, having lost her license thanks to unorthodox methods that include a combination of detective work, with all the data-mining and surveillance that entails, and prescriptive advice. She tells clients what to do—and sometimes does it for them. Matthew Bishop, a high-powered Washington lawyer, and Marissa, his wife, come to Avery for help. At the first session, Marissa confesses to infidelity with, she lies, a guy from her gym. Suddenly, this “curated Instagram” marriage is on the rocks. Can Avery salvage the relationship in her trademark 10 sessions and done? She cases the gym in question, the Bishops' opulent residence in Chevy Chase, Maryland, and looks into Marissa’s boutique and her slightly unhinged shop assistant, Polly. There's more to Marissa’s story than meets the eye, Avery thinks, somewhat superfluously. The truth could explode any chance of reconciliation. At times, Avery’s tactics seem unusually cruel, even sexist: She busts up one marriage where the wife is unduly controlling but appears to ignore her own initial suspicion that Matthew might be that way, too. Avery’s intrusiveness has made enemies, among them drug company Acelia, which she’s reported to the FDA on behalf of one of her clients who hesitated to be a whistleblower. The Acelia subplot feels superfluous, but it must be pivotal, because it takes up so much space while telling elements of backstory are withheld. There are some sharply observed class dynamics, and the final reversal is unexpected—but only because it is not foreshadowed. There’s a thin line between gaslighting characters and gaslighting readers, and this novel crosses it.
Replete with “huh?” moments.Pub Date: March 8, 2022
ISBN: 978-1-2502-7320-8
Page Count: 336
Publisher: St. Martin's
Review Posted Online: Jan. 13, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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