The final close, though, is a quiet-as-dust epilogue.
The Big Sleep meets Dean Koontz in Bear’s first big leap into mainstream fiction after a lifetime of high-grade SF (Darwin’s Children, 2003, etc.).
Bear fans know that he can outwrite nearly all SF competitors and go so deep into science that few readers can follow his hallucinatory devising. Styled with light-struck immediacy, Dead Lines is as intensely seen and free of clichés as the best Koontz when that polymath downplays the gore. Bear adapts the big death theme and scenic format of Chandler’s LA masterpiece, substituting for Chandler’s gumshoe a burned-out softcore movie director hired by an ailing and infirm half-billionaire to unlock certain, well, psychic secrets the old guy in his vast mansion needs to know about his soul. Or maybe about his young wife’s weirder side. Mr. Joseph Benoliel wants Peter to ask the respected spiritualist Sandaji whether “someone can live without a soul.” Before Sandaji can answer Peter, she faints, having seen a ghostly figure beside him. As we find out midway through, Peter’s young twin daughter Daniella was murdered and left under leaves in Griffith Park. After the murder, Peter fell adrinking, and his wife Helen moved out with their other daughter, Lindsey. Now he’s been sober 18 months. One night he finds Lindsey asleep in Daniella’s old bed—only later it turns out to have been Daniella. Meanwhile, he’s been hired to publicize Trans, a new talking device that fantastically outclasses any cell phone. In fact, it works on a subatomic bandwidth and can handle infinite amounts of information. It also attracts the dead. That’s enough plot, if not too much already. With strong characters and heartfelt dialogue, Dead Lines (phones to the afterworld) is well on its way to being a suspense classic when current genre demands find Bear bending, twisting, and forcing his understated story through commercial hoops, with a big, gory and ghastly ending.
The final close, though, is a quiet-as-dust epilogue.Pub Date: June 1, 2004
ISBN: 0-345-44837-5
Page Count: 256
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2004
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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