Through it all, the ebullience of Mavis Staples and her music shine through.

I'LL TAKE YOU THERE

MAVIS STAPLES, THE STAPLE SINGERS, AND THE MARCH UP FREEDOM'S HIGHWAY

A biography that will send readers back to the music of Mavis and the Staple Singers with deepened appreciation and a renewed spirit of discovery.

Chicago Tribune music critic Kot (Ripped: How the Wired Generation Revolutionized Music, 2009, etc.) mines one of that city’s greatest musical treasures, showing how the Staple Singers developed from one of the leading acts in gospel (when the voice of the preteen Mavis, “a pocket-sized dynamo,” was so husky that those who heard her on record thought she was a man), through their ascent to the top of the charts as pop/soul crossover sensations, and up to the career revival that Mavis Staples has recently enjoyed as a solo artist. As the title suggests, the book is more than a biography of Mavis, capturing the competitive, cutthroat nature of the gospel business, the pivotal influence of the civil rights movement and the complexities of patriarch Roebuck “Pops” Staples. He shaped the group’s sound, selected its repertoire and protected the family’s financial interests with a gun that unscrupulous promoters would learn to fear. His tremolo guitar and his family’s rural-style harmonies have exerted a profound influence on such rock heavyweights as The Band and Creedence Clearwater Revival. As the group moved its music from the church to the charts, it faced a backlash from the gospel community and ultimately saw Pops’ signature guitar supplanted in the studio by session musicians. The book is particularly revelatory on the transition that saw the Staple Singers recording in Muscle Shoals, sessions highlighted by the hit that gives the biography its title. Yet it ultimately treats the recent solo releases of Mavis Staples—produced by Wilco frontman Jeff Tweedy, the subject of an earlier book by Kot—almost as a tacked-on afterthought in comparison with the more thorough treatment given albums that made little impression upon release and have long been forgotten.

Through it all, the ebullience of Mavis Staples and her music shine through.

Pub Date: Jan. 21, 2014

ISBN: 978-1-4516-4785-3

Page Count: 320

Publisher: Scribner

Review Posted Online: Oct. 28, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

INTO THE WILD

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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