Essential for anyone interested in 20th-century dance and pop culture. (16 pages b&w photos not seen)
The complex life and enormous influence of one of the most commanding creative forces in America dance and show business is examined in this first-rate biography.
Robbins’s genius was legendary: He was second to none at creating a dance move or at staging and directing. His artistry stretched across the consciousness of a generation, from On the Town (which broke the color barrier as the first completely integrated Broadway show) to The King and I to West Side Story to Fiddler on the Roof—as well as countless ballet pieces, such as Fancy Free and Afternoon of a Faun. Despite his successes on the screen, however, Robbins was always most at home on stage, both for theater and ballet. The behind-the-scenes stories of his famous productions are enjoyable, particularly since a wondrous assortment of the late-and-great appears on practically every page (Leonard Bernstein, Nora Kaye, Zero Mostel, Ethel Merman, George Balanchine, Patricia McBride, etc.). Despite the stellar supporting cast, however, Robbins remains the star of the show and is the soul revealed. Demonized throughout his life by his insecurities (his difficult relationship with his parents, his sexuality, his feelings toward Judaism), his unrelenting push for perfection (he was often brutal to the dancers and actors), and his politics (he testified before the House Un-American Activities Committee), Robbins appears in these pages under the guise of a tormented genius. Lawrence (The Shape of Love, 1990, etc.) presents a trove of fascinating, exhaustive information (there are over 60 pages of notes) and makes good use of the many quotes given by those who loved Robbins (and those who despised or feared him).
Essential for anyone interested in 20th-century dance and pop culture. (16 pages b&w photos not seen)Pub Date: May 7, 2001
ISBN: 0-399-14652-0
Page Count: 640
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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