Essential for anyone interested in 20th-century dance and pop culture. (16 pages b&w photos not seen)
The complex life and enormous influence of one of the most commanding creative forces in America dance and show business is examined in this first-rate biography.
Robbins’s genius was legendary: He was second to none at creating a dance move or at staging and directing. His artistry stretched across the consciousness of a generation, from On the Town (which broke the color barrier as the first completely integrated Broadway show) to The King and I to West Side Story to Fiddler on the Roof—as well as countless ballet pieces, such as Fancy Free and Afternoon of a Faun. Despite his successes on the screen, however, Robbins was always most at home on stage, both for theater and ballet. The behind-the-scenes stories of his famous productions are enjoyable, particularly since a wondrous assortment of the late-and-great appears on practically every page (Leonard Bernstein, Nora Kaye, Zero Mostel, Ethel Merman, George Balanchine, Patricia McBride, etc.). Despite the stellar supporting cast, however, Robbins remains the star of the show and is the soul revealed. Demonized throughout his life by his insecurities (his difficult relationship with his parents, his sexuality, his feelings toward Judaism), his unrelenting push for perfection (he was often brutal to the dancers and actors), and his politics (he testified before the House Un-American Activities Committee), Robbins appears in these pages under the guise of a tormented genius. Lawrence (The Shape of Love, 1990, etc.) presents a trove of fascinating, exhaustive information (there are over 60 pages of notes) and makes good use of the many quotes given by those who loved Robbins (and those who despised or feared him).
Essential for anyone interested in 20th-century dance and pop culture. (16 pages b&w photos not seen)Pub Date: May 7, 2001
ISBN: 0-399-14652-0
Page Count: 640
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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