An engaging, SF–enriched tale with striking fantasy elements and diverse characters.
A ragtag crew searches for the fragments of an ancient wonder in this dystopian novel.
In a future Florida that includes augmented reality and biowarfare and is run by mega-corporations, Nagash “Gash” Jensen is a jaded veteran and ex–private investigator. He’s on the run from WalCo, a mega-corporation he angered after a botched job. He becomes the personal bodyguard of expert hacker Selina Kan, an aspiring archaeologist turning to less than legal means to gain access to the conflict-ridden island of Rhodes, a former Greek territory “with no major corporate interests to keep the peace.” Chasing down her father’s mysterious research into the missing pieces of the Colossus of Rhodes, the ancient statue of the sun god Helios, she believes there is more to the legend than meets the eye. Selina and Gash are joined by her assistant, Frederick Almond, a young man off the streets of Detroit, fresh, tough, and ready for the improbable. Their covert operation is funded by the mysterious, mob boss–like Hemmingway. Meanwhile, Interpol agents Sage and Hiroyuki are investigating a parallel ancient world mystery: that of international crimes and violence involving the Knights Hospitaller and the White Lotus gang—with Rhodes as the site of the action. As Selina faces sinister forces warning her away from the Colossus mystery, she and her group face WalCo on its hunt for Gash and get caught in the crossfire of the Knights Hospitaller and White Lotus. In the process, Selina and her cohorts encounter technological advances beyond their imaginations while the secrets they learn shake their understanding of humanity itself. The book’s prominent themes are found family, identity, and belonging; the dangers of technologically advanced mega-corporations; good versus evil; and humans versus mystical beings. Featuring parallel perspectives and storylines through various character viewpoints, the plot connects different pasts and presents together neatly. The story presents rich worldbuilding details without meandering and is consistently suspenseful. The focus on deliberately inclusive characterizations in the predominantly cis, White, male SF genre is masterful and commendable. Leunig seamlessly creates the voices of a gender-androgynous person (Sage) and a young woman of color (Selina), addressing issues of racism and heteronormativity without preaching or reducing the players to identity politics.
An engaging, SF–enriched tale with striking fantasy elements and diverse characters.Pub Date: Aug. 30, 2022
ISBN: 978-1951393175
Page Count: 214
Publisher: Spaceboy Books LLC
Review Posted Online: Nov. 17, 2022
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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