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F*CKING ARGENTINA AND 10 MORE TALES OF EXASPERATION

A mix of great setups and occasionally frustrating misfires.

A debut collection of short stories featuring characters with even shorter tempers.

Greenberg’s set of 11 tales starts with a dictionary definition of “exasperation,” and that “feeling of intense irritation or annoyance” radiates from each of these quick narratives. In the tradition of essayists such as David Sedaris and TV shows like HBO’s Curb Your Enthusiasm, Greenberg tells stories of highly neurotic antiheroes and their outsized responses to life’s little problems. In the opener, Mitchell Weinberger, a divorced father, suffers through small talk with overbearing parents at his child’s back-to-school gathering. In “Panic in Shubert Alley,” a nameless man runs around New York City’s Times Square theater district looking for his forgetful mother’s purse, and in “A Side of Exasperation on the NJ Turnpike,” a desperate dad finds himself trapped in a drive-thru while trying to order hamburgers. Greenberg consistently keeps to his theme, but in some works, he stretches into particularly imaginative displays of irritability, as when he constructs  an entire story out of text messages between a husband and wife, or personifies the entire nation of Argentina as a deadbeat friend. The author effectively marshals a wide array of annoyances, but a standout appears in “The Last Couples Dinner,” in which a woman faces off against an “X+1”—a man who feels compelled to one-up everything anyone else says. There are several mentions of the Covid-19 crisis over the course of the book, which cleverly link the tales to the collective exhaustion of the past year. Despite the stories’ extremely short lengths, Greenberg occasionally manages to kindle slow burns of awkward irritation, as in his reveal of a subway stench in “Malodor on the Number Five Express.” However, several jokes don’t quite connect, including a Billy Joel–based breakup that turns into a list of lyrics, and as the title implies, the author often relies too much on expletives to get laughs.

A mix of great setups and occasionally frustrating misfires.

Pub Date: Feb. 24, 2021

ISBN: 978-1-09-835799-3

Page Count: 108

Publisher: BookBaby

Review Posted Online: Jan. 21, 2021

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THE LIFE IMPOSSIBLE

Haig’s positive message will keep his fans happy.

A British widow travels to Ibiza and learns that it’s never too late to have a happy life.

In a world that seems to be getting more unstable by the moment, Haig’s novels are a steady ship in rough seas, offering a much-needed positive message. In works like the bestselling The Midnight Library (2020), he reminds us that finding out what you truly love and where you belong in the universe are the foundations of building a better existence. His latest book continues this upbeat messaging, albeit in a somewhat repetitive and facile way. Retired British schoolteacher Grace Winters discovers that an old acquaintance has died and left her a ramshackle home in Ibiza. A widow who lost her only child years earlier, Grace is at first reluctant to visit the house, because, at 72, she more or less believes her chance for happiness is over—but when she rouses herself to travel to the island, she discovers the opposite is true. A mystery surrounds her friend’s death involving a roguish islander, his activist daughter, an internationally famous DJ, and a strange glow in the sea that acts as a powerful life force and upends Grace’s ideas of how the cosmos works. Framed as a response to a former student’s email, the narrative follows Grace’s journey from skeptic (she was a math teacher, after all) to believer in the possibility of magic as she learns to move on from the past. Her transformation is the book’s main conflict, aside from a protest against an evil developer intent on destroying Ibiza’s natural beauty. The outcome is never in doubt, and though the story often feels stretched to the limit—this novel could have easily been a novella—the author’s insistence on the power of connection to change lives comes through loud and clear.

Haig’s positive message will keep his fans happy.

Pub Date: Sept. 3, 2024

ISBN: 9780593489277

Page Count: 368

Publisher: Viking

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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BY ANY OTHER NAME

A vibrant tale of a remarkable woman.

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  • New York Times Bestseller

Who was Shakespeare?

Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.

A vibrant tale of a remarkable woman.

Pub Date: Aug. 20, 2024

ISBN: 9780593497210

Page Count: 544

Publisher: Ballantine

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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