In a briskly paced case that blends action with insight, Hurwitz puts the clues on the table, then plays the shell game with...
The stepson of a slain Secret Service agent sprints through a seven-day quest to solve a 17-year-old case.
Hurwitz (The Crime Writer, 2007, etc.) might have subtitled this one Trust No Clue. He comes up with scores of them, all canny—a series of numbers, a wad of gum, a bone fragment embedded in a cheekbone, etc. All satisfy the reader, but most throw protagonist Nick Horrigan off track. At 17, Horrigan, sneaking out for a moonlight tryst with a diner waitress, disarms the alarm system to the home where he lives with his stepfather, Frank Durant, a Secret Service agent. Passion spent, Horrigan returns to find his father shot and dying. Seventeen years later, the case unsolved, Horrigan awakes as Secret Service agents storm his condo. They rush him to the site of a nuclear power plant that’s been seized by a terrorist named Charlie, who demands to speak to Horrigan. The terrorist passes a key to Horrigan and warns Nick his life is at risk. Horrigan hands the man a phone provided by the service. The mobile explodes, blowing the man’s head to bits. Horrigan subsequently learns that his stepfather knew the victim. Searching the man’s home, Horrigan uncovers a knapsack stashed with $180,000 cash. To find the link between Charlie and his stepfather and to learn who killed his father, Horrigan enters a labyrinth where sharply drawn characters deal swift reversals. Nimble and persistent, Horrigan suspects the case ties to two men running for president—photos Nick comes across suggest the sitting president, a staunch family-values advocate, may have fathered a child out of wedlock. A confrontation with the chief executive at a national debate goes over the top, but Hurwitz recovers with one final surprising twist followed by a touching coda.
In a briskly paced case that blends action with insight, Hurwitz puts the clues on the table, then plays the shell game with the reader and wins.Pub Date: June 9, 2009
ISBN: 978-0-312-53489-9
Page Count: 352
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2009
BOOK TO SCREEN
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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