A lighthearted jaunt alongside a lovable loser whose rise and fall will keep readers turning pages.
Grosvenor presents a humorous novel about a thief whose love of his chosen vocation outstrips his skills.
Issey is an enthusiastic burglar living in an attic apartment in present-day Boston. He’s part of a collective of crooks who rob and fence delicate valuables, priceless heirlooms, and other items from the ritzy neighborhoods and campuses of Boston and Cambridge. Unfortunately for Issey, the group has had enough of him bringing only knickknacks of minor value to the table, and they’re set to kick him out before their mysterious, large-scale “Faneuil Hall job.” Issey pleads for one more chance, but then he receives a call from his brother, to whom he hasn’t spoken in years; he informs him that their mother has remarried and moved away. Issey agrees to return home to Vermont to clear out her collection of fancy vases—which he’d stolen from others. Once there, he meets Rohel’s sharp-tongued wife, Anissa, and finds out that his brother wants to sell their mom’s house. Issey continues his thieving ways in Vermont, and before long, he’s accused of stealing three horses from a local named Avi; he didsteal many things from Avi, but not his horses. His search for the animals strangely makes him a local hero. However, as in other good books about crooks, an associate from Issey’s past lurks in the shadows. Many novels about thieves promise humor, but Grosvenor’s is a rare one that actually delivers: “Issey was getting beaten up a lot these days. More than usual. Was he just terrible at this now?” Readers will easily relate to Issey and the mismatch of his ambitions and abilities—as well as conviction that looking the part of the erudite thief is almost as important as what he steals. The settings, too, are well-rendered, especially when the narrative shifts to Vermont: “The air has a purity that cuts through scavengers and liars.” Overall, it’s a satisfying read, featuring a reluctant hero who’s sure to keep readers chuckling.
A lighthearted jaunt alongside a lovable loser whose rise and fall will keep readers turning pages.Pub Date: Feb. 27, 2025
ISBN: 9781685135645
Page Count: 254
Publisher: Black Rose Writing
Review Posted Online: Dec. 24, 2024
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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