A clumsy Christian poem accompanied by stock photographs.
Gebhart praises God in this Christian picture-book poem.
Gebhart has a song in his heart, and it’s directed at God. “Dear Lord, Dear Lord,” it begins, “I love you Lord // And all day long // I sing my song.” This book contains Gebhart’s 32-line poem in praise of God, with each line given its own page. The pages include full-color photographs of trees: some lining paths or the banks of ponds, others standing in parks or forests. The poem expresses the author’s appreciation for the Lord’s presence in his life from sunrise to sunset. The language of the poem is simple and accessible, with occasional uses of unexpected language, as here where he refers to the cross on which Jesus was crucified as a tree, appropriate given the photography: “Your spirit carried me // When you hung on a tree.” The concept of Christ’s sacrifice for the sins of mankind features heavily in the final lines of the poem, in which the poet contemplates his own and humankind’s sinfulness: “I love, I try not to sin // Without sin I have not been // On the cross Jesus died // In sin our souls are tied.” These lines are the most reflective and probing of the poem and will likely resonate with Christian readers. Unfortunately, the poem does not generally display a high level of craftsmanship. Gebhart pays no attention to meter but rather chases end rhymes that lead to clunky couplets like, “I am all aboard // I love my Lord.” The end rhymes are so expected that when Gebhart goes with a near rhyme instead of a perfect one, the poem screeches to a halt: “I walk not on waters // You are all that matters.” The slapdash nature of the book is exemplified by the fact that several of the photos—stock images, all—repeat. One of them is an illustration. Gebhart’s co-religionists may appreciate the poem’s message, but it fails to impress as either a work of poetry or a published product.
A clumsy Christian poem accompanied by stock photographs.Pub Date: March 11, 2018
ISBN: 978-1-98-645003-4
Page Count: 34
Publisher: CreateSpace
Review Posted Online: May 19, 2021
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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