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OUR HOUSE IS ON FIRE

SCENES OF A FAMILY AND A PLANET IN CRISIS

An impassioned call to action and a vulnerable family portrait of neurodiversity.

A collective portrait of activist Greta Thunberg's family, encompassing not only climate change, but also issues of mental health.

In this moving text, Swedish opera singer Malena Ernman, her husband, Svante Thunberg, and their daughters, Greta and Beata, stitch together vignettes about "burned-out people on a burned out planet.” Before Greta stepped into the public eye with her 2018 strike outside the Swedish Parliament, she had fallen into depression. Ernman details the end of her music career, when Greta refused to eat or speak. Through distilled recollections, she elucidates how autism and selective mutism unfolded in her household, with all its initial hardship, and how Swedish society views spectrum disorders in general. When Greta was finally diagnosed with Asperger’s and OCD, and Beata with ADHD and other conditions, the family found a measure of solace. But they still struggled: “We scream. We kick down doors. We scratch. We pound walls. We wrestle. We cry. We ask for help and we somehow endure.” The narrative delivers a potent, challenging, and heartening portrayal of a family's struggle to hold it all together. The text is more problematic when it conflates environmental issues—such as sustainability and the climate crisis—with mental health problems, positing that society’s prioritization of economy over ecology has led to increasing isolation and desperation. While provocative, the argument feels grounded in simplified conviction. Passages about carbon emissions, damage wrought by air travel, the failure of world leaders to take charge, and related issues are unabashedly alarmist and valuable. Because these elements echo Greta's many speeches, they come off as repetitive in the book. The buildup to Greta's strike—and the strike itself—is an inspiring depiction of the teen who has become a leader on the world stage and of the family who supports her behind the scenes. It also represents a courageous triumph over many of her demons.

An impassioned call to action and a vulnerable family portrait of neurodiversity.

Pub Date: March 24, 2020

ISBN: 978-0-14-313357-5

Page Count: 288

Publisher: Penguin

Review Posted Online: Feb. 17, 2020

Kirkus Reviews Issue: March 15, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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