by Gretchen Rubin ‧ RELEASE DATE: Nov. 1, 2005
Fascinating presentation of what, for most Americans, made Kennedy who he was.
The 1,037 days of Camelot and the life preordained to produce it. What was real, and what wasn’t?
Readers who like sequentially flowing biography may initially recoil at Rubin’s approach. This isn’t what we now know about Kennedy; it’s what we’ve known all along—words, pictures, ideas, deeds—resorted and pinned together as if on a corkboard in a homicide case. But if it worked at all with the former Yale law professor’s initial subject, Winston Churchill (Forty Ways to Look at Winston Churchill, 2003), it works to the nines with Kennedy. Her first chapter, for instance, showing JFK as an ideal leader, is followed by a critical account based on different sources. Whether Kennedy, had he lived, would have extricated the country from Vietnam is handled similarly later on, in two speculative, conflicting accounts, both convincing, that make a clear case that there were differences between his public record and his confidences to aides. It all sheds light on why historians have tended to rate his presidency considerably lower than the public recalls it. Yet Kennedy’s machinations to project an image that captured what Lincoln once pegged as “public sentiment” were so successful, Rubin argues, because he himself was a unique vehicle. The author does not shrink from delineating the scope of JFK’s promiscuity and marital infidelity; taken together, JFK’s sexual exploits represent an appalling amount of risk (appetite aside), rendering insignificant, by comparison, the dalliances of, say, Harding and Clinton. It does impinge on his greatness, Rubin allows, but doesn’t deny it.
Fascinating presentation of what, for most Americans, made Kennedy who he was.Pub Date: Nov. 1, 2005
ISBN: 0-345-45049-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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