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HAPPIER AT HOME

KISS MORE, JUMP MORE, ABANDON A PROJECT, READ SAMUEL JOHNSON, AND MY OTHER EXPERIMENTS IN THE PRACTICE OF EVERYDAY LIFE

Read Samuel Johnson instead.

A well-meaning but not especially insightful guide to deriving greater satisfaction in life by feeling “more at home, at home.”

In this sequel to her bestselling The Happiness Project (2009), Rubin explores some of the elements that influence happiness in domestic contexts. After being inexplicably “hit by an intense wave of homesickness” in the well-ordered world of her New York apartment, she created a plan to examine the concepts she saw as inextricably linked to her own personal satisfaction. “I took my circumstances for granted,” she writes. “[I] wanted to appreciate my life more, and to live up to it better.” Rubin began her learning project in September, just as her children were going back to school. She first took account of her possessions and the relationship she had to them and discovered that her material happiness came from wanting what she had rather than making efforts to have more or less. Rubin reached similarly mundane conclusions about other concepts in the months that followed. Marriage, family and parenthood took work, and time management was as essential as determining how to most meaningfully use it. Taking care of herself and feeling good were important because how she behaved influenced the happiness of those around her, and staying mindful of the present was the key to appreciating just “how fleeting [and] how precious” her seemingly ordinary days actually were. Rubin's aim is clearly to help people enhance their relationship to all things domestic, but the portrait of her privileged, relatively trouble-free home, along with the earnestness with which she speaks of being a “moral essayist” interested in delineating “the practice of everyday life,” make her look out of touch.

Read Samuel Johnson instead.

Pub Date: Sept. 4, 2012

ISBN: 978-0-307-88678-1

Page Count: 320

Publisher: Crown Archetype

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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