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THE ENCYCLOPӔDIA OF USELESS THINGS

A layered and emotionally ambitious fantasy.

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In this middle-grade debut novel, a girl learns more about her deceased parents while searching for a local child who’s gone missing.

Young Veronica Curtiss lives with her grandmother on a farm in Little Pine, Texas. Her parents died in a car accident when she was 3, and she dreams of one day escaping her small, boring town. Today’s her 11th birthday, and her best friends, Rita Salazar and Johanna Cobos, give her a charm bracelet. When it later vanishes, her Gram jokes that Los Descarriados, the legendary Mexican cowboy ghosts, took it. Later, at the Fort McCullough Field Day, Johanna’s uncle, Billie George, participates in Civil War reenactments. Someone deflates his horse trailer’s tires, and Rita’s 6-year-old brother, Ramón, blames three men riding burros. Further strangeness occurs when a pair of ravens return Veronica’s bracelet to her—and apologize for snatching it. (“We’re not just pretty; we can talk human,” one says.) Then Ramón is suddenly nowhere to be found. The girls frantically search for him, but Billie George believes that the boy’s father, up from Mexico, has taken him. The ravens, whom Veronica calls Cork and Rackoo, point her toward her own father’s workshop, where he did flight experiments. Could a forgotten invention help her search for Ramón in a way that nobody else can? Although Enck sets her story in 2007, her exploration of xenophobia seems even more relevant in the present day. At one point, for instance, Billie George assumes, without evidence, that Ramón’s Mexican father is not only a kidnapper, but also a thief responsible for local robberies. Genuine thematic grandeur arrives when the local mailman, Howard “Alkali” Moskowitz, tells the girls about the Encyclopӕdia of Useless Things that he’s writing, which includes such concepts as shame and “most guilt.” Veronica’s desire to operate an old invention distracts a bit from the search for Ramón. However, the truth behind Los Descarriados is emotionally rich, particularly when Rita wonders, “Do you know what would make them happy?” Younger readers may need some help understanding the finale, and older ones, if they aren’t too teary-eyed, should oblige.

A layered and emotionally ambitious fantasy.

Pub Date: N/A

ISBN: N/A

Page Count: 287

Publisher: Kurti Publishing

Review Posted Online: May 10, 2019

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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