by Griff D. Johnson ‧ RELEASE DATE: March 24, 2018
A free-wheeling and often appealing tale, although its greater message sometimes gets lost in the chaos.
A novel about the biblical Eve appearing in the modern day.
Debut author Johnson begins this wild story with Eve, the first woman that God ever created, explaining to her driver that she’s headed for an interview. She needs to make her way to Joshua Tree National Park in order to speak with reporters Rick Langley and Cindy Vargas from News One Southern California. The man who’s driving her is simply referred to as “Dude,” and he converses with Eve as if they were old friends. The topics of their chatter move quickly from Eve’s poor diet (she apparently loves fast food) to ancient Rome to the 2009 sci-fi film Avatar. Underpinning the narrative, however, is the topic of Christianity. Dude is not keen on modern Christian adornments, and he’s not afraid to let other people know it. After Dude and Eve arrive at Joshua Tree, Eve speaks on camera with Cindy, but it’s hardly an ordinary interview. For example, Cindy is soon explaining how she cares for her own nipples, and she also reveals that she lost her virginity at the age of 16. The plot becomes progressively stranger and eventually incorporates a flying cat, the “Great Whore” of Babylon, and a trip to the moon. The narrative unfolds completely in conversation, and characters are prone to ellipses: “You know Cindy … you are a totally awesome … honest morning news show interviewing chick ….” It’s a loose style that gives the story a playful, if repetitive, tone. It also offers a poetic way to discuss such subjects as churchgoers who are “thinly veiled in pious false humility,” even if it doesn’t make for easy reading. Nevertheless, this ambitious novel does provide moments of real substance, as when a character notes that the Jesus-fish symbol, once a sign for persecuted Christians, has become little more than a bumper sticker. That said, there are also many distractions, including characters’ odd laughter (“Ha-ha-ah … cha-cha-cha … woo whoo, woo whoo”), which make the deeper elements easy to ignore.
A free-wheeling and often appealing tale, although its greater message sometimes gets lost in the chaos.Pub Date: March 24, 2018
ISBN: N/A
Page Count: 335
Publisher: Time Tunnel Media
Review Posted Online: Feb. 28, 2019
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
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