A free-wheeling and often appealing tale, although its greater message sometimes gets lost in the chaos.
A novel about the biblical Eve appearing in the modern day.
Debut author Johnson begins this wild story with Eve, the first woman that God ever created, explaining to her driver that she’s headed for an interview. She needs to make her way to Joshua Tree National Park in order to speak with reporters Rick Langley and Cindy Vargas from News One Southern California. The man who’s driving her is simply referred to as “Dude,” and he converses with Eve as if they were old friends. The topics of their chatter move quickly from Eve’s poor diet (she apparently loves fast food) to ancient Rome to the 2009 sci-fi film Avatar. Underpinning the narrative, however, is the topic of Christianity. Dude is not keen on modern Christian adornments, and he’s not afraid to let other people know it. After Dude and Eve arrive at Joshua Tree, Eve speaks on camera with Cindy, but it’s hardly an ordinary interview. For example, Cindy is soon explaining how she cares for her own nipples, and she also reveals that she lost her virginity at the age of 16. The plot becomes progressively stranger and eventually incorporates a flying cat, the “Great Whore” of Babylon, and a trip to the moon. The narrative unfolds completely in conversation, and characters are prone to ellipses: “You know Cindy … you are a totally awesome … honest morning news show interviewing chick ….” It’s a loose style that gives the story a playful, if repetitive, tone. It also offers a poetic way to discuss such subjects as churchgoers who are “thinly veiled in pious false humility,” even if it doesn’t make for easy reading. Nevertheless, this ambitious novel does provide moments of real substance, as when a character notes that the Jesus-fish symbol, once a sign for persecuted Christians, has become little more than a bumper sticker. That said, there are also many distractions, including characters’ odd laughter (“Ha-ha-ah … cha-cha-cha … woo whoo, woo whoo”), which make the deeper elements easy to ignore.
A free-wheeling and often appealing tale, although its greater message sometimes gets lost in the chaos.Pub Date: March 24, 2018
ISBN: N/A
Page Count: 335
Publisher: Time Tunnel Media
Review Posted Online: Feb. 28, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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