by Guido Ceronetti ‧ RELEASE DATE: Dec. 1, 1993
Idiosyncratic musings by Italian poet, critic, and philosopher Ceronetti, originally published in 1979 and marking the first English translation of his work. Ceronetti, who describes himself as fascinated by medicine and obsessively worried over health, is ``appalled by the passiveness of our bodies...under the scourge of Medicine's will...and dismayed by Medicine's insatiable omnipotence.'' A student of classic and sacred writings, he has perused world literature, ancient to modern, for insights into the human body and human behavior. He shares those here, along with his own melancholy opinions, bizarre memories, sardonic observations, and nightmarish visions. This isn't a continuous text but, rather, a sort of scrapbook of thoughts, sometimes linked together, sometimes not. Occasionally, there are multipage essays, but many entries run only a pithy line or two. Ceronetti can be epigrammatic, cryptic, even poetic—as in his vignette about an aging twosome: ``They were a beautiful couple. Her wealth of varicose veins matched his complete lack of teeth.'' Or in this comment on medical research: ``Pharmaceutical products for dogs and cats should first be tested on men kept in special cages.'' Or: ``Since man is a cancer, his metastasis on other planets should no longer seem so improbable.'' Anglo-Saxon crudities abound, sounding a jarring note amid so many Latin phrases—but whether this reflects Ceronetti's language or that of his translator is unclear. What is clear is that the author has given a great deal of thought to what it means to be human—and that he wishes doctors would do the same. A literary oddity that's compelling yet repellent, amusing yet outrageous.
Pub Date: Dec. 1, 1993
ISBN: 0-374-26405-8
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1993
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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