PAN'S LABYRINTH

THE LABYRINTH OF THE FAUN

A young girl is swept into the dangerous world of fairies and magic in war-torn Spain in a collaborative tale inspired by the noted film.

With the death of her father, her mother’s marriage to a stoic military captain, and the imminent arrival of a baby brother, 13-year-old Ofelia’s world has been turned upside down. But once upturned, Ofelia discovers a world beneath her own that seems straight out of her favorite fairy tales—an Underground Kingdom with magic, fairies, and a faun whose princess has been missing for centuries. The faun explains that Ofelia is their princess reincarnated, but to return to her throne, she must complete three tasks before the next full moon. But as her mother’s health rapidly declines and the captain’s cruelty spreads like a deadly fume, a giant toad and grotesque child eater aren’t the only monsters Ofelia must face. Charged with the monumental task of adapting an intricate film to the page, del Toro (The Shape of Water, 2018, etc.) and Funke (The Griffin’s Feather, 2018, etc.) have avoided merely describing the film and instead have elegantly recrafted the narrative. Brief, interspersed tales that stitch together several characters’ backstories deepen and add greater complexity to the plot while also shrinking the original story’s ambiguous gap between fantasy and reality. Spot art based on the film’s concept art accompanies each of the tales, helping to both offset and connect them.

Dark and mesmerizing. (Dark fantasy. 12-18)

Pub Date: July 2, 2019

ISBN: 978-0-06-241446-5

Page Count: 272

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: April 22, 2019

Kirkus Reviews Issue: May 15, 2019

Did you like this book?

No Comments Yet

Engrossing, contemplative, and as heart-wrenching as the title promises.

Reader Votes

  • Readers Vote
  • 36

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2017

  • New York Times Bestseller

  • IndieBound Bestseller

THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

Did you like this book?

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

Reader Votes

  • Readers Vote
  • 20

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

Did you like this book?

more