by Guillermo del Toro & Chuck Hogan ‧ RELEASE DATE: Oct. 1, 2010
Relentlessly paves the way for what promises to be an epic third book.
The second book in Guillermo del Toro (director of Pan’s Labyrinth, Hellboy, etc.) and Chuck Hogan's (Devils in Exile, 2010, etc.) The Strain trilogy finds civilization teetering on the brink.
The Strain (2009), the first book in the trilogy, was built on a compelling premise: What if vampires were not campy, caped bloodsuckers, or dark-but-hunky Twilight-esque heartthrobs, but rather the victims of a ravenous blood-borne parasite? And what if, as part of an elaborate plan, an ancient carrier of said parasites set out to sow its bloodsucking oats by starting an epidemic in New York City? A vampire threat like that calls for an epidemiologist, in this case Dr. Ephraim Goodweather of the CDC. The Strain closed with Ephraim and his companions—CDC colleague (and sometime love interest) Dr. Nora Martinez, exterminator Vasiliy Fet and Holocaust survivor and seasoned vampire hunter Abraham Setrakian—narrowly failing to destroy the Master, orchestrator of the outbreak, as his pandemic was starting to pick up steam. As this book opens, things have gone from worse to much, much worse. With more and more of its citizens turning into vampires, New York plunges into anarchy. Dr. Goodweather and his cohorts face increasingly long odds as they attempt to stem the tide, while protecting Dr. Goodweather's son Zach from his mother, a newly minted vampire bent on "turning" her beloved son. Meanwhile, the Master, working with sickly but fabulously wealthy Eldritch Palmer, continues to engineer the contagion's spread and the collapse of human society, much to the chagrin of a group of powerful vampires known as the Ancients, who prefer to wield their substantial power and influence from the shadows. The key to stopping the Master seems to lie in a very old, silver-bound book, but against the Master's minions and Palmer's wealth and influence, the book appears to be well out of our heroes’ reach. The series stands out from the recent spate of vampire-themed entertainment thanks to its semi-scientific premise, convincing characters and wealth of almost cinematically vivid scenes of terror. This book continues in the same chilling vein.
Relentlessly paves the way for what promises to be an epic third book.Pub Date: Oct. 1, 2010
ISBN: 978-0-06-155822-1
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: July 26, 2010
Kirkus Reviews Issue: Aug. 15, 2010
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by Guillermo del Toro & Cornelia Funke ; illustrated by Allen Williams
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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