by Gundi Gabrielle ‧ RELEASE DATE: Jan. 6, 2019
Audacious ideas aplenty in this breezy financial guide.
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An entrepreneur shares ideas for generating passive income in this business manual.
Gabrielle (Influencer Fast Track, 2018, etc.) is no stranger to passive income. As author of the self-published SassyZenGirl series of guides and other titles, she has achieved Amazon bestseller status numerous times and claims to generate a six-figure passive income from her endeavors. In this chatty, informative book, Gabrielle willingly opens her bag of tricks, presenting 23 “passive income blueprints” for both novice and seasoned entrepreneurs. The volume starts with some smart tips that include a caution against false get-rich-quick expectations and advice on how to build an income-producing asset (“Creation-Systems-Automation”). Then the author launches into overviews, or blueprints, of ideas to produce a stream of passive income, most of which focus on online creation and marketing of one kind or another. Several of the concepts are cleverly designed to leverage and build on top of what others have done; for example, “AirBnB Arbitrage” involves renting properties owned by landlords that can then be offered through AirBnB at higher nightly or weekly rates. Other ideas take advantage of certain online characteristics, such as employing search engine optimization locally to achieve a high-ranking video or website on search engines and then renting that spot to another business. More than one concept seems to be essentially designed to make money via repurposing or remarketing the work of others. As a result, more conservative marketers may wonder whether some of these notions are too risky, and opportunists will likely view them as shrewd, if not ingenious. Regardless, each tantalizing idea is described in an engaging, conversational style, with just enough breathless detail to tease readers into wanting to know more. The guide itself is the very model of passive income, incorporating many references to other resources available from the author, including a slew of her books. Gabrielle is marvelously adept at mining the depths of passive income, and she writes with vitality and verve. The real magic, though, will be in each reader’s ability to select and execute the most appropriate concepts.
Audacious ideas aplenty in this breezy financial guide.Pub Date: Jan. 6, 2019
ISBN: 978-1-79324-212-9
Page Count: 315
Publisher: Time Tunnel Media
Review Posted Online: March 15, 2019
Kirkus Reviews Issue: April 15, 2019
Review Program: Kirkus Indie
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by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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by David Hajdu ; illustrated by John Carey
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by John Carey
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by John Carey
by Lorenzo Carcaterra ‧ RELEASE DATE: July 10, 1995
An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)
Pub Date: July 10, 1995
ISBN: 0-345-39606-5
Page Count: 432
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1995
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