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THE FLAMINGO

This tale soars.

A child’s visit to their grandmother creates lasting stories.

At Lao Lao’s coastal home, flamingo motifs are everywhere. The child asks Lao Lao about a feather in a flamingo-shaped cup, and as the scene shifts, we see a girl walking along a beach and discovering an egg, out of which a flamingo chick eventually hatches. In between kite flying, bao steaming, and their own coastal walk, Lao Lao shares her story with her grandchild. Friendship between the flamingo and the girl grows, but the time comes for goodbyes. The flamingo flies away, and the girl hopes for the bird’s return. Just as Lao Lao’s story concludes, a flock of flamingos serendipitously fills the sky. Grandmother and grandchild must part, too. Back at home, feather in hand, the child begins to write their own story, and their imagination takes flight. Guojing’s tender tale uses the migration of birds to explore how family bonds endure despite separation and the passage of time. The spare text in this mostly wordless tale is well placed. Rendered in Photoshop, watercolor, and colored pencil, the illustrations depict expressive faces and dynamic perspectives, beautifully capturing the joy of a hug, the wonder of visiting new places, the sadness of saying goodbye, and the hope of reuniting. The use of color is inspired; muted illustrations with pops of reddish pink depict the present, while both Lao Lao’s and the child’s stories are portrayed in vibrant hues. Use of the term Lao Lao cues the characters as Chinese, though locations aren’t specified.

This tale soars. (Graphic fiction. 5-9)

Pub Date: Sept. 27, 2022

ISBN: 978-0-593-12731-5

Page Count: 144

Publisher: Random House Studio

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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