Dark, violent, and engrossing but with a contrived ending.
The Cold War threatens to rise from the dead in this fast-paced Swedish spy thriller.
Grandparents Stellan and Agneta Broman have been married for almost 50 apparently idyllic years. Stellan is a widely beloved television personality. But one night, Agneta receives a brief phone call, shoots her 80-year-old husband in the back of the head, and disappears into the night. Police think at first that the retired celebrity’s murder might simply be a botched burglary, but police officer Sara Nowak believes that Stellan has been targeted. Then, on beginning to learn about his past, investigators think it may be the “beginning of a much bigger chain of events.” They fear that the killer or killers may have kidnapped Agneta. Poor Stellan. He’d been “Sweden's playful uncle….It was like someone murdering Santa Claus.” Readers learn long before the authorities do that Agneta is on a mission and has waited for decades to receive the signal to kill this man she pretended to love. It’s a complex plot wherein a “gang of senile old spies” regret the demise of the Cold War, particularly the fall of East Germany. Lurking in the shadows is the mysterious Abu Rasil, who wants to be remembered as the greatest terrorist ever. As it happens, Stellan had a couple of secret lives unknown to his adoring public. He had once been an informal collaborator for the Stasi, the East German security service. Perhaps Stellan was Geiger, the man who had ruined so many Swedish lives. And to put it delicately, Stellan had disturbing relationships with young girls. Decades ago, Sara's mother used to clean house for the Bromans, and Sara had been the occasional and socially unequal playmate of their daughters. As tension builds, people die in bursts of bombs and profanity. Has the Cold War never really ended? Sara's boss tries to take her off the case, but naturally that doesn't stop her. There is plenty of excitement right up to the end. All seems lost until, like a deus ex machina, the solution appears.
Dark, violent, and engrossing but with a contrived ending.Pub Date: May 10, 2022
ISBN: 978-1-5387-5437-5
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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