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MY LIFE AS A GODDESS

A MEMOIR THROUGH (UN)POPULAR CULTURE

Wickedly smart, funny, and witty.

A gay stand-up comedian considers his life through personal essays that also ruminate on problems and paradoxes of modern American culture.

Branum was a born misfit who found early solace in Greek mythology. He especially loved Leto, a beleaguered goddess who taught him the importance of believing in himself when no one else did. Half-Jewish, overweight, and “intellectually aggressive,” the author struggled to find a place in his hometown of Yuba City, where Oklahoma Dust Bowl descendants fired “guns into the air and yell[ed] racial slurs” at Indian immigrants. Branum educated himself about the outside world through reading and watching old sitcoms. Suburban witch Samantha Stephens, of Bewitched fame, became his symbol for the magic he sought in order to escape a hated blue-collar existence. By high school, Branum could no longer deny the desires that had surfaced in his early teens. Still, he remained closeted. He found comfort in friendship with three Punjabi girls trapped into asexuality by the conflicting demands of their culture. At Berkeley, he wrote for the humor magazine, ran for student office as a member of his own party (CUM, the “Cal Undergraduate Masturbators”), and wrote an article about Chelsea Clinton that resulted in a visit from the Secret Service. He attended law school at the University of Minnesota only to realize that he “had no business” becoming a lawyer and mimicking straightness. After graduation, Branum stumbled into adult functionality, discovered his passion for stand-up comedy, and moved to Los Angeles. There, he worked his way into writing jobs for Chelsea Lately and The Mindy Project, all while learning to love himself in West Hollywood, the “ketamine-stoked crucible of shallow gay self-consciousness and derision.” Keenly observant and intelligent, Branum’s book not only offers uproarious insights into walking paths less traveled, but also into what self-acceptance means in a world still woefully intolerant of difference.

Wickedly smart, funny, and witty.

Pub Date: July 31, 2018

ISBN: 978-1-5011-7022-5

Page Count: 272

Publisher: Atria

Review Posted Online: May 27, 2018

Kirkus Reviews Issue: June 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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