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MY LIFE AS A GODDESS

A MEMOIR THROUGH (UN)POPULAR CULTURE

Wickedly smart, funny, and witty.

A gay stand-up comedian considers his life through personal essays that also ruminate on problems and paradoxes of modern American culture.

Branum was a born misfit who found early solace in Greek mythology. He especially loved Leto, a beleaguered goddess who taught him the importance of believing in himself when no one else did. Half-Jewish, overweight, and “intellectually aggressive,” the author struggled to find a place in his hometown of Yuba City, where Oklahoma Dust Bowl descendants fired “guns into the air and yell[ed] racial slurs” at Indian immigrants. Branum educated himself about the outside world through reading and watching old sitcoms. Suburban witch Samantha Stephens, of Bewitched fame, became his symbol for the magic he sought in order to escape a hated blue-collar existence. By high school, Branum could no longer deny the desires that had surfaced in his early teens. Still, he remained closeted. He found comfort in friendship with three Punjabi girls trapped into asexuality by the conflicting demands of their culture. At Berkeley, he wrote for the humor magazine, ran for student office as a member of his own party (CUM, the “Cal Undergraduate Masturbators”), and wrote an article about Chelsea Clinton that resulted in a visit from the Secret Service. He attended law school at the University of Minnesota only to realize that he “had no business” becoming a lawyer and mimicking straightness. After graduation, Branum stumbled into adult functionality, discovered his passion for stand-up comedy, and moved to Los Angeles. There, he worked his way into writing jobs for Chelsea Lately and The Mindy Project, all while learning to love himself in West Hollywood, the “ketamine-stoked crucible of shallow gay self-consciousness and derision.” Keenly observant and intelligent, Branum’s book not only offers uproarious insights into walking paths less traveled, but also into what self-acceptance means in a world still woefully intolerant of difference.

Wickedly smart, funny, and witty.

Pub Date: July 31, 2018

ISBN: 978-1-5011-7022-5

Page Count: 272

Publisher: Atria

Review Posted Online: May 27, 2018

Kirkus Reviews Issue: June 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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