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Swarm

A white-hot ingot of daring, disciplined storytelling that focuses on a dangerous military project.

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A sci-fi thriller explores stolen technology and a hacktivist determined to guide humanity’s evolution.

This tale begins at a U.S. Air Force base in Afghanistan. Airman Donald Westlake, a recent convert to skinhead metal music, exits the barracks armed for combat. With violent lyrics screaming through his headphones, he begins shooting Afghani soldiers stationed at the base until he is killed by a fellow airman. Meanwhile, in Austin, Texas, hacktivist Tom Ayana orchestrates flash mob events from the “cyber command center” in his mother’s house. These incidents, which interrupt the lives of unsuspecting citizens in places like San Antonio’s Woodland Park, result in risqué demonstrations and a thrilling sense of connectedness among the participants. Under the digital guise of Swarm, Tom encounters the Meta Militia online and is chosen to play with—that is, augment—the zeph.r code, a stolen Department of Defense project designed to modify human behavior. While Tom and his best friend, a DJ named Xander Smith, combine their love of music, mobbing, and cosmic awareness to dominate the electronic dance music scene, Homeland Security agent Jake Duggan starts investigating Westlake’s death. Jake eventually recruits evolutionary biologist Dr. Cara Park—an expert on swarming insects—to help learn the deadly potential of zeph.r. In the latest book by Garcia (The Decline of Men, 2009, etc.), readers are treated to what might be written if the misanthropic author Chuck Palahniuk gave the free-wheeling Thomas Pynchon a blood transfusion. Garcia’s careening prose covers cutting-edge topics, like using mosquitoes to inoculate against malaria, while also espousing the work of “neo-patriots” like Anonymous, who “would save democracy by keeping it honest.” When Tom experiences the fabulously kinetic zeph.r, there’s “a rising, writhing tower of tessellating textures, each one separate yet fused to the others and seething, like a flame.” Though intellectually and politically supercharged, these elements never prevent the characters’ humanity from carrying the narrative. The ambiguous ending glories in the potential of life-altering technology in the hands of a forward-thinking society.

A white-hot ingot of daring, disciplined storytelling that focuses on a dangerous military project.

Pub Date: Sept. 23, 2016

ISBN: 978-0-9974398-1-6

Page Count: 374

Publisher: Morphic Books

Review Posted Online: Oct. 31, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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THE DEAD ZONE

The Stand did less well than The Shining, and The Dead Zone will do less well than either—as the King of high horror (Carrie) continues to move away from the grand-gothic strain that once distinguished him from the other purveyors of psychic melodrama. Here he's taken on a political-suspense plot formula that others have done far better, giving it just the merest trappings of deviltry. Johnnie Smith of Cleaves Mills, Maine, is a super-psychic; after a four-year coma, he has woken up to find that he can see the future—all of it except for certain areas he calls the "dead zone." So Johnnie can do great things, like saving a friend from death-by-lightning or reuniting his doctor with long-lost relatives. But Johnnie also can see a horrible presidential candidate on the horizon. He's Mayor Gregory Aromas Stillson of Ridgeway, N.H., and only Johnnie knows that this apparently klutzy candidate is really the devil incarnate—that if Stillson is elected he'll become the new Hitler and plunge the world into atomic horror! What can Johnnie do? All he can do is try to assassinate this Satanic candidate—in a climactic shootout that is recycled and lackluster and not helped by King's clumsy social commentary (". . . it was as American as The Wonderful Worm of Disney"). Johnnie is a faceless hero, and never has King's banal, pulpy writing been so noticeable in its once-through-the-typewriter blather and carelessness. Yes, the King byline will ensure a sizeable turnout, but the word will soon get around that the author of Carrie has this time churned out a ho-hum dud.

Pub Date: Aug. 16, 1979

ISBN: 0451155750

Page Count: 352

Publisher: Viking

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Aug. 1, 1979

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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