The follow-up to an international best-seller starts off well but falls apart under its own best intentions.
The tumultuous life of a cat spans the equally turbulent lives of the mother and daughter who share her always-changing New York City existence.
Prudence the tabby never expected to find the right human. Living alone in a deserted construction site on the Lower East Side, she's drawn first to Sarah's singing: As a feral kitten, music is new to her. And while she quickly gets used to the idea of having a "roommate," as she puts it, Sarah's irregular lifestyle means that meals can't be counted on. When Sarah finally disappears one day, Prudence is taken in by Laura, Sarah's daughter, and her husband and trades a bohemian existence for more conventional comforts. But as the tabby learns, even life on the Upper West Side can have its ups and downs. Not only does she witness the aftereffects of Sarah and Laura's often strained relationship, she runs into danger in the form of an innocent-seeming bouquet. Initially presented in the first-person by the cat, this book by Cooper (Homer's Odyssey, 2009) achieves a matter-of-fact directness that only occasionally veers into cutesiness ("[S]ometimes Sarah eats things that are just plain gross. There's one kind of food, called 'cookies'...") But Prudence's scope is insufficient to convey the entirety of this New-York-in-the-'90s saga, and by the book's second half, human narratives begin to take over. While these are often affecting—relating the different sides of the mother–daughter struggle—they seem to come from a different book. And real-life events, notably the city-ordered demolition of a tenement with some of the occupants' pets left inside, are not convincingly woven into the narrative. The result is moving but uneven, and even a feel-good ending from the cat's viewpoint can't pull the story back together.
The follow-up to an international best-seller starts off well but falls apart under its own best intentions.Pub Date: Jan. 22, 2013
ISBN: 978-0-345-52694-6
Page Count: 336
Publisher: Bantam
Review Posted Online: Dec. 2, 2012
Kirkus Reviews Issue: Dec. 15, 2012
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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