A well-intentioned but ultimately unsuccessful portrait of women in wartime Afghanistan.
Two women from different cultures collide in American-occupied Afghanistan in 2002.
Farida Basra doesn’t want to marry Gul, an uneducated Afghan man her father has selected for her. She doesn’t want to adapt to his family’s traditional way of life, and she especially doesn’t want to move from her native Pakistan to Kabul, where Gul and his family see opportunity in the wake of the 9/11 attacks. But soon enough, she finds herself adjusting to her new life and finding not only passion with Gul, but also a shared enemy in the Americans who have invaded their city. One of those Americans is Liv Stoellner, an NGO worker married to a professor who specializes in Afghanistan. Liv’s marriage to the chronically unfaithful Martin begins to crumble when they move from their comfortable American college town to Kabul: While Liv throws herself into her work interviewing local women for Face the Future, Martin hides in his office writing reports that yield no results and lusting after Farida, who happens to be acting as Liv’s translator at her father-in-law’s behest. But Farida—and her family—is planning more than just translation. Florio, a white journalist who has reported in Afghanistan, has previously published a series of autobiographical mystery novels (Under the Shadows, 2018, etc.). This foray into literary fiction is well-meaning but misguided. Despite Florio’s evident familiarity with the novel’s setting, the Middle Eastern characters remain flimsy archetypes. Farida’s initial horror at her arranged marriage vanishes almost immediately, while Gul’s initial expressions of misogyny conveniently fade. Gul’s family is similarly two-dimensional, and the white American characters hardly fare better: Martin is cartoonishly boorish, and Liv’s persistent cluelessness is grating. The plot, meanwhile, is convoluted and frustrating: Face the Future is clearly tied to the U.S. government in some way, for instance, but this connection is never fully explored. The novel purports to explore the ethical quagmire of America’s occupation of Afghanistan, but with characters so limited, it can barely scratch the surface.
A well-intentioned but ultimately unsuccessful portrait of women in wartime Afghanistan.Pub Date: July 24, 2018
ISBN: 978-1-5011-8192-4
Page Count: 336
Publisher: Atria
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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