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LITTLE CHAPEL ON THE RIVER

A PUB, A TOWN AND THE SEARCH FOR WHAT MATTERS MOST

Faithful attempt. Still, it could be that you had to be there.

Forced to relocate from downtown Manhattan after 9/11, a career woman discovers warmth, camaraderie and more in a small-town barroom.

Here’s one for you: there’s this tavern run by, of all things, an Irishman. But for Wall Street Journal columnist Bounds (“call me Wendy”), a displaced renter in Garrison, N.Y., after the Twin Towers fell too close to her apartment building, one of the most entrenched clichés in America’s alcohol culture becomes a place of refuge and reflection. As the author plumbs the boozy ambience of Guinan’s, hard by the Hudson River across from West Point, the aging diabetic owner Jim Guinan and his daughter Margaret, a somewhat hard-bitten detective on the local force who essentially runs the place in her off-hours, lead a cast of characters—their customers—who tend to become poets and philosophers instantly upon entry. The good and bad news here is that everyone who has frequented a similar venue to the extent that it becomes known as one’s watering-hole has met and enjoyed—or sometimes been appalled by—people like these. The lawyer, the salesman, the silent war hero, the guy down on his luck, the guy with the bad jokes: all are in residence as components in the slice-of-life Bounds offers with the implication that the reader should look beyond stereotypes, as does she. But it’s not until some 60 pages have gone by in this encounter between the willowy blonde in her early 30s and the predominantly older males who belly up at Guinan’s, that the reader is let in on the fact that she’s in a gay relationship. Later, when she realizes she must, in a lip-biting encounter, explain to Jim that “Kathryn is not my sister,” it provides one of the memoir’s few originally engaging scenes.

Faithful attempt. Still, it could be that you had to be there.

Pub Date: July 1, 2005

ISBN: 0-06-056406-7

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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