Worse, the cliché-ridden novel sends uncomfortable cues: Are readers really supposed to blame Clarissa’s younger brother for...
A self-consciously erudite cockatoo narrates this avian-human romance from Rubio (The Woodsman’s Daughter, 2005, etc.).
In 1993, cockatoo Caruso lives on Ocracoke Island on North Carolina’s Outer Banks with Clarissa, a redheaded chef who whips up ambitious culinary delicacies while declaring her own favorite foods remain her beloved late grandmother's traditional Southern dishes. (Health-conscious readers may cringe at a chef who never seems to wash her hands and lets her bird loose in the kitchen.) Caruso became a domestic pet after he was kidnapped from his bird family in Australia years earlier. One smart cockatoo, Caruso is given to ruminating on man’s narcissistic self-importance, following the teachings of the “Great Mother” and quoting Emily Dickinson. That appreciation of poetry came from Caruso’s first owner, Theodore. A saintly romantic, Theodore retired from his career as headmaster of a boys school to move next door to the woman he’d silently loved since childhood despite her long marriage to a rich bully. Before entering a nursing home, Theodore introduced Caruso to concepts of love the bird carries with him as he faces a similar romantic crisis of his own. Caruso is in love with the giggly, annoyingly sweet Clarissa and basks in her attentive affection. Then Clarissa meets Joe, who has come to surf on Ocracoke while on summer break from studying environmental law. Clarissa's past boyfriends didn't threaten Caruso, but she seems serious about Joe. Plucking out his feathers in avian distress, Caruso begins plotting to win Clarissa back. Unfortunately, the cockatoo companion Clarissa finds to mollify Caruso only annoys him before fatally diving headlong into a pot of pasta sauce after a tantalizing feather Caruso has purposely dropped—a moment of unintentional comic relief in the slog through whimsy and New Age–y environmentalism.
Worse, the cliché-ridden novel sends uncomfortable cues: Are readers really supposed to blame Clarissa’s younger brother for being emotionally troubled or dislike her sous chef because he’s effeminate?Pub Date: Oct. 1, 2014
ISBN: 978-1-61822-031-8
Page Count: 306
Publisher: Ashland Creek Press
Review Posted Online: Aug. 24, 2014
Kirkus Reviews Issue: Sept. 15, 2014
BOOK REVIEW
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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