Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

RED IVY TEA

A work of morbid humor that whistles past the cemetery gates.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In Boyles’ novel set in 1975, one-acre subdivisions start popping up Springfield, North Carolina, affecting everyone’s lives.

The trouble starts when young Jasper Springfield, who’s eager to shed his farming dad’s limited worldview, decides to head off to college and sell approximately 44.86 acres of the old family homestead to developers. That decision paves the way for a new, massive housing development called Springfield Estates. The rural folk don’t like what’s happening and have a hard time comprehending it: “And can you imagine living packed together like sardines in a can, all jammed up beside each other like this?” one townsperson says. There are deeper concepts afoot in Boyles’ short vignettes. Each character grapples with profound issues of loss and decay; they live in loveless marriages, mourn their vanishing youth, contend with injuries and illnesses, or even contemplate ending it all. Boyles joins a rich tradition of writers examining the human impact of so-called progress in a wry, folksy manner that’s reminiscent of a bygone style of American literature. He sets the tone early with a look at Clara and Ellis Hienkle, the “only living couple in Springfield that was totally prepared for their death.” Ellis decides to buy a cemetery plot out near Highway 72; he views this purchase as pragmatic, but his wife Clara just views it as a “constant reminder for all the world to see that someday she would be going over to her eternal rest.” Sadly, a few of the townsfolk can’t wait for that rest to come, and that tragic reality informs Boyles’ suggestive title, which subtly evokes his playful approach to dark themes. However, although he’s clearly enjoying the comedy of adulterers seriously injuring themselves after a “quick leap out the window into the brick-lined flowerbed,” among other absurdities, readers may find it hard to maintain a smile amid the melancholia—but, this author seems to say, such is life.

A work of morbid humor that whistles past the cemetery gates.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Aug. 20, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 137


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 137


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 466


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 466


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Close Quickview