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The One Way Out

Impressive familial saga set against the throes of Jamaican history.

Watson uses one family to chart the history of Jamaica to the present and beyond.

The history of Jamaica plays out in the background of this generational account of the Johnson family. The novel follows the Johnson clan from slavery to political prominence through the ups and downs of the island’s shifting society. Their saga mirrors the tensions—between the subsistence and ambition, rebellion and assimilation—that characterized the development of Jamaica as a self-articulating society. From the upheaval and fragility of the 19th century to the corporate structures and class aspirations of the 20th to the political machinations of the early 21st (including a glimpse into the future 2030s), the Johnsons attempt to succeed in a system that, while dynamic, continues to bear striking similarities to the original plantation model. There are still haves and have-nots, gatekeepers and collaborators, utopian dreams and brutal realities. As said by narrator and Johnson descendant Brianna Bedward, who’s introduced in the novel’s framing device: “To the extent that the fortunes of the Johnson family ran parallel to those of the island of Jamaica, this is also a story about Jamaica, and inasmuch as Jamaica is a part of the world, it is a story about the world.” Watson admirably weaves the Johnsons’ personal narratives into the larger happenings of Jamaican life, and the cameos by historical figures and institutions make the novel seem an authentic part of the island’s biography. The chapters sometimes drag as less-important decades are accounted for and various offspring emerge and are dispatched, but the overall arc of the family is satisfying in the way a single protagonist’s might be. The future-set sections are perhaps overly optimistic (though fun), and didacticism is always apparent: e.g., “The culture of the slave society promoted promiscuity” since slave owners and masters “hoped that in this way the women might have more children and every child born in slavery became the asset of his mother’s owner.” Yet the story is engrossing enough that its flaws are largely forgivable.

Impressive familial saga set against the throes of Jamaican history.

Pub Date: July 20, 2015

ISBN: 978-1-4908-7849-2

Page Count: 260

Publisher: Westbow Press

Review Posted Online: Oct. 2, 2015

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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THE DOVEKEEPERS

Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.

This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of GodThe women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved.  An enthralling tale rendered with consummate literary skill.

 

Pub Date: Oct. 4, 2011

ISBN: 978-1-4516-1747-4

Page Count: 512

Publisher: Scribner

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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