Gabhart’s third Hidden Springs entry doesn’t quite have the bite of Joan Hess’ Maggody mysteries but is edgier than Meier’s...

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MURDER IS NO ACCIDENT

Deputy Sheriff Michael Keane (Murder Comes by Mail, 2016, etc.) investigates a maybe-murder.

Everyone in Hidden Springs knows that the second-floor staircase in the Chandler mansion is a deathtrap. Years ago, Audrey Carlson fell to her death on those stairs. Now Michael finds realtor Geraldine Harper’s crumpled body at the bottom. It looks like another accident—only this time Michael also finds frail old Fonda Joyce Chandler Elwood, on the lam from Mrs. Gibson’s Gentle Care Home, keening over Geraldine’s corpse, claiming, “It was him.” But whether dementia-clouded Miss Fonda is confusing Geraldine with her long-dead sister, Audrey, or who on earth she means by “him,” is anyone’s guess. What Michael does know is that dispatcher Betty Jean Atkins took a 911 call reporting Geraldine’s death, which means that someone was almost certainly in the house when she died. As Michael searches for the missing witness to what may not even be a crime, a second struggle confronts him. Alexandria Sheridan, who left town for a promising career as a D.C. lawyer, returns to care for her ailing Uncle Reece. Can Michael persuade his childhood sweetheart to settle down in sleepy Hidden Springs? Past and present collide not only in Miss Fonda’s brain, but in Michael’s love life as he plows through a jumble of illusions, assumptions, and downright lies to find the truth.

Gabhart’s third Hidden Springs entry doesn’t quite have the bite of Joan Hess’ Maggody mysteries but is edgier than Meier’s Tinker’s Cove series, leaving it a serious contender in the ever growing field of small-town murder.

Pub Date: March 14, 2017

ISBN: 978-0-8007-2710-9

Page Count: 352

Publisher: Revell

Review Posted Online: Jan. 23, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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