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FAILURE IS AN OPTION

AN ATTEMPTED MEMOIR

More a collection of gags than a thoughtful examination of a life, the book is best experienced in bits and pieces in order...

Voice actor and stand-up comedian Benjamin structures a free-wheeling memoir of his rather uneventful life around the many failures he has experienced.

The author, who voices the title characters of Archer and Bob's Burgers, grew up in a middle-class Jewish family in Worcester, Massachusetts, where he watched a lot of TV and recorded interviews with himself. He bounces lightly through his childhood in chapters such as “The Sleepover (and How I Failed to Have One)” (cold tent) and “The Teen Years (How I Failed Hosting a Bar Mitzvah Party)” (the DJ played AM oldies). Then he moves on to stories about failing to move to France, get a graduate degree in Holocaust studies, sell a TV pilot, and ride a motorcycle. Every time Benjamin starts to get into potentially heavy emotional territory, he leaps out and moves onward with a joke. The most effective chapters of the book are those that give a sense of the author’s trials and tribulations as he recognizes his shortcomings and goes on with a shrug. These chapters are interspersed with brief intermissions, most of which are padding. Benjamin also initiates long—and increasingly annoying—interchanges of letters with scholars, asking them to explain how failure expressed itself in history, to which they respond with polite confusion. He inserts a sophomoric collection of line drawings of failed sexual positions and a more successful set of failed pickup lines: “Do you work out, or are you just naturally tense?”; “Has anyone ever told you you look like my mother?” Benjamin's descriptions of self-humiliation can get uncomfortable for readers, as in the case of a protracted chapter involving diarrhea, a rental car, and a hotel.

More a collection of gags than a thoughtful examination of a life, the book is best experienced in bits and pieces in order to avoid the impression of being trapped in an elevator for hours with a stand-up comic.

Pub Date: May 1, 2018

ISBN: 978-1-5247-4216-4

Page Count: 256

Publisher: Dutton

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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