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AN HONEST PRESIDENT

THE LIFE AND PRESIDENCIES OF GROVER CLEVELAND

A readable history of a man who tried to do his best, handicapped by the subject's limits and the author's ulterior motives.

In an effort to bring to Grover Cleveland the public acclaim he has not had since the 19th century, popular historian and crime novelist Jeffers (Who Killed Precious?, 1991, etc.) tells the story of this honest, decent, and somewhat boring Chief Executive.

The only US president to serve two non-consecutive terms and to marry during his tenure, Cleveland was known in his day for his forthright honesty and determined integrity. From his stints as veto-happy mayor of Buffalo, corruption-fighting governor of New York, and reform-minded president, Cleveland emerges as an ethical man who followed his convictions despite the corrupt enticements of the Gilded Age. Jeffers's biography moves briskly along, but the occasionally turgid prose creates a few stumbling blocks. Also, it seems at times that the author has not fully assimilated his research: at one point Cleveland's father is described as a “brilliant student” at Yale; later, Jeffers states that the senior Cleveland was considered “studious but not brilliant.” The incessant praise of Cleveland often reaches fulsome levels; Grover is lauded for publicly confessing that he fathered an illegitimate child, yet Jeffers never criticizes his hero for tucking the boy away into an orphanage when his mother was confined to a mental asylum. An Honest President opens and closes with attacks on Bill Clinton for his sexual peccadilloes, and by the end of the biography readers may wonder if the author’s primary objective is to lambaste Clinton by comparing him to this supposedly sterling presidential figure. In the end, Jeffers fails to significantly improve Cleveland's image, because his text adequately reflects an honest yet uninspiring politician.

A readable history of a man who tried to do his best, handicapped by the subject's limits and the author's ulterior motives.

Pub Date: July 1, 2000

ISBN: 0-380-97746-X

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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