A resonant collage of memories, soulfulness, and elective, electrifying solidarity.
In this elegiac text, a Nigerian American poet pays homage to her family while considering Black origin stories.
“I’d been living inside the story begotten by white America,” writes Geter, “but I’d been born into something else—what was it?” She names this the Black Period, in which “we were the default.” Born in Nigeria, the author grew up in Ohio and South Carolina. Having parents who “centered Blackness and art,” she explains, “meant my sister and I were reared in a world that reflected our image—a world where Blackness was a world of possibility.” Geter grapples with chronic pain and history (“that thing that white people had gotten to write, but we had to live”) and culture in the U.S., “where I had so much in common with the enemy’s face America painted—African/Black, queer, a woman, child of a Muslim mother.” The author compares herself to Atlas, the Greek Titan condemned to support the whole sky: “My body holding up the burden of a country made of myth and lies.” She qualifies the Black Period created by her parents as “one where, if not our bodies, then our minds could be free.” Organized by theme, the narrative meanders yet remains fiery. In details, the author's poetic sensibilities dazzle: “My father thinks I am innately lucky. Even in our grieving, he’s believed me to be a queen in the land of the damned, a winning lottery ticket in a field of beggars.” Of a dream about her mother, who died suddenly when Geter was 19, she writes, “Black folks, we be. We be the whole verb of the wor(l)d.” The book contains two inserts and 50 pages of monochromatic portraits by her father, artist Tyrone Geter. These add another dimension of humanity as well as demonstrate her father's profound influence on her life.
A resonant collage of memories, soulfulness, and elective, electrifying solidarity.Pub Date: Sept. 20, 2022
ISBN: 978-0-593-44864-9
Page Count: 448
Publisher: Random House
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.
The former iCarly star reflects on her difficult childhood.
In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.Pub Date: Aug. 9, 2022
ISBN: 978-1-982185-82-4
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 30, 2022
Kirkus Reviews Issue: July 1, 2022
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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