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FEATHERS

A richly crafted ode to the past, this 1979 classic, now in a first English translation, was chosen by the National Yiddish...

Israeli Be’er (The Pure Element of Time, 2002, etc.) evokes a Jerusalem neighborhood as magical and surreal as a Chagall painting. Meanwhile, a young soldier recalls growing up there in the 1950s and ’60s.

Framed by the Yom Kippur War, the soldier, whose job is to collect the dead from the battlefield, dreams he meets the long-dead Reb Dovid Leder. He never knew Leder, but he did know his son Mordecai. Waking, he finds himself remembering how he first met Mordecai, a memory that sets off others as he looks back at his boyhood and adolescence in a time of peaceful innocence. On his way home after school, he met Mordecai, whose alleged job was to collect alms for the blind, standing outside the Russian Bookstore. When Mordecai saw him, he declared that the Communists would never last, and then asked if he had heard of Popper-Lynkeus, a 19th-century Utopian. Mordecai wants to create a Nutrition Army that will establish a vegetarian state honoring Lynkeun precepts. The soldier is enlisted as the only follower, and, as Mordecai recalls prewar Vienna, his father’s illustrious political connections, and his attempts to further the cause, the soldier introduces other colorful characters in his Orthodox neighborhood—characters like his father, who searches for proof that the Eucalyptus, not the willow, is the tree referred to in the Bible; or Riklin, the undertaker who is rumored to have once stopped the sun in its path; and the Ringels, who venerate the last Austrian Emperor in an apartment filled with imperial memorabilia. As the narrator grows up, Mordecai’s behavior becomes more eccentric: he’s hospitalized after trying to rob a bank with a wooden gun, and, when released, sets on fire a cloth cow festooned with cheeses and sausages, which he calls the “calf-idol of food” worshipped by his fellow Israelis. Then, as the narrator continues his burial detail, he encounters an unexpected legacy from Mordecai.

A richly crafted ode to the past, this 1979 classic, now in a first English translation, was chosen by the National Yiddish Book Center as “one of the 100 Greatest Works of Modern Jewish Literature.”

Pub Date: April 30, 2004

ISBN: 1-58465-371-X

Page Count: 272

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 15, 2004

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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THE DOVEKEEPERS

Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.

This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of GodThe women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved.  An enthralling tale rendered with consummate literary skill.

 

Pub Date: Oct. 4, 2011

ISBN: 978-1-4516-1747-4

Page Count: 512

Publisher: Scribner

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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