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ALEPPO TALES

In all, a thoughtful and affecting addition to the literature of the Diaspora.

Three novella-length tales chronicle a devout family whose experiences parallel recent Jewish history.

In stories that are as much religious mediation (with generous quotations from the Torah, Talmud, and other holy writings) as they are accounts of a particular place—here Aleppo, Syria—the author vividly intertwines the ties of faith and family. Aleppo, long home to a thriving Jewish community, was ruled by the French between the two world wars, and the first two stories are set there during the French occupation. The third has an Israeli setting, as the family emigrates from what is now Arab-ruled Syria to Jerusalem. In “Truth Shall Spring from the Earth,” a young Yeshiva scholar learns that his great-great grandfather, once regarded as one of the foremost sages of Aleppo, was banned from teaching and that his baby daughter died soon after. Determined to learn what happened, and why the child died so suddenly, the young man consults old manuscripts and finally discovers the truth. In “The Wheel Turns Full Circle,” Raphael, a brilliant Aleppo student whose father had studied in France before WWII, also goes to Paris to study. His pious family expects him to become a rabbi, but, in Paris, he becomes involved in radical politics and disavows his religious heritage. This direction changes when a planned revolt against the French government fails and Raphael has time to think about his faith, his past, and Israel. The third story is a poignant tale, told by the grandson of an aging and distinguished rabbi who emigrates from Aleppo to Jerusalem but there lacks a congregation of his own. When a Hasidic rabbi dies suddenly on the eve of the Sabbath, the rabbi is asked to deliver the eulogy at the funeral. Preaching, he feels he is back in Aleppo with his old congregation, though the listeners find his accent strange and his sermon too long.

In all, a thoughtful and affecting addition to the literature of the Diaspora.

Pub Date: May 1, 2004

ISBN: 1-59264-051-6

Page Count: 280

Publisher: Toby Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2004

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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