Middling among the endless crop of Scandinavian procedurals but a distinct improvement over Fredrik’s debut (The Viper,...
Returning from their summer vacation to their desecrated home in Gotland, a Swedish family can’t imagine how things could be worse. But Östlundh can.
Someone—presumably the very last of the tenants to whom noted photographer Henrik Kjellander and his wife, food blogger Malin Andersson, rented their house while they were away with their children, Ellen, 7, and Axel, 5—has helped themselves to some glasses and dishes, strewn garbage and broken glass all over the floor, used the children’s toy basket as a toilet, and poked the eyes out of a family photograph. Fredrik Broman, just returned to patrol duty on the Visby Police Department after two years’ medical leave, soon finds that all leads to those tenants are dead ends. Unfortunately, the family’s troubles are only beginning. Another photograph taken from the house is returned with the eyes similarly defaced. Ellen is kidnapped from her school by a mysterious woman. And soon enough, the home becomes the scene of a horrific double murder. Who could have hated Henrik and Malin enough to have waged such a relentless war against their family? For better or worse, one possible answer is close to home, for Henrik’s been battling his half sisters, Elisabet and Alma Vogler, over an inheritance from their grandmother. Nor do the Voglers seem like the kind of people who could never have resorted to violence. But Fredrik and the other members of the police investigative department, convinced the answer lies elsewhere, keep digging and eventually reach sins as dark as they are commonplace.
Middling among the endless crop of Scandinavian procedurals but a distinct improvement over Fredrik’s debut (The Viper, 2012).Pub Date: Aug. 18, 2015
ISBN: 978-1-250-02948-5
Page Count: 400
Publisher: Minotaur
Review Posted Online: May 31, 2015
Kirkus Reviews Issue: June 15, 2015
BOOK REVIEW
Catchy title; too bad the psychothriller behind it—despite the publisher's big push—is a mostly routine tale of cop vs. serial-killer. And it's really too bad for Patterson (The Midnight Club, 1988, etc.) that William Diehl's new thriller, Primal Fear (reviewed above), covers some of the same territory with superior energy and skill. A few charms lift this above run-of-the-mill: Patterson's hero, D.C. psychologist/cop Alex Cross, is black, while his lover, Secret Service honcho Jezzie Flanagan, is white; and the narrative moves briskly by cutting between Cross's ambling account and a sharper third-person tracking, mostly of the killer's movements. He is Gary Soneji—a nobody living a deceptively quiet life as Gary "Murphy"—who has killed 200 people and now wants to commit the Crime of the Century and become Somebody: Soneji/Murphy snatches the daughter of a top actress and the son of the US secretary of the treasury. Enter Cross and Flanagan, whose bad luck at finding kids and kidnapper—who, taunting the cops, kills an FBI agent and gets away with a $10-million payoff, while one of the kids turns up dead—changes only when Soneji/Murphy, cracking up, holds hostage to a McDonald's and is wounded by a cop. Here, Patterson's tale begins to mirror Diehl's: Soneji/Murphy turns out to suffer from the same sensational psychosis as Diehl's villain; and in the ensuing trial, Soneji/Murphy's lawyer pursues a defense similar to that of Diehl's attorney-hero. But where Diehl's villain roars on the page, Soneji/Murphy barely smirks; and while Diehl's courtroom crackles with intelligence, Patterson's is almost transcript-dull. Patterson does wind up, however, with a fine noir twist. Cross is a likable hero, but with a watery plot and weak villain—Hannibal Lecter would eat Soneji for breakfast—he doesn't have much to work with here.
Pub Date: Feb. 1, 1993
ISBN: 0-316-69364-2
Page Count: 320
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
A top-notch psychological thriller.
In Hoag’s (The 9th Girl, 2013, etc.) latest, talented young newscaster Dana Nolan is left to navigate a psychological maze after escaping a serial killer.
While recuperating at home in Shelby Mills, Indiana, Dana meets her former high school classmates John Villante and Tim Carver. Football hero Tim is ashamed of flunking out of West Point, and now he’s a sheriff’s deputy. After Iraq and Afghanistan tours, John’s home with PTSD, "angry and bitter and dark." Dana survived abduction by serial killer Doc Holiday, but she still suffers from the gruesome attack by "the man who ruined her life, destroyed her career, shattered her sense of self, damaged her brain and her face." What binds the trio is their friend Casey Grant, who's been missing five years, perhaps also a Holiday victim, even if "[t]he odds against that kind of coincidence had to be astronomical." Hoag’s first 100 pages are a gut-wrenching dissection of the aftereffects of traumatic brain injury: Dana is plagued by "[f]ear, panic, grief, and anger" and haunted by fractured memories and nightmares. "Before Dana had believed in the inherent good in people. After Dana knew firsthand their capacity for evil." Impulsive and paranoid, Dana obsesses over linking Casey’s disappearance to Holiday, with her misfiring brain convincing her that "finding the truth about what had happened to Casey [was] her chance of redemption." But then Hoag tosses suspects into the narrative faster than Dana can count: Roger Mercer, Dana’s self-absorbed state senator stepfather; Mack Villante, who left son John with "no memories of his father that didn’t include drunkenness and cruelty"; even Hardy, the hard-bitten, cancer-stricken detective who investigated Casey’s disappearance. Tense, tightly woven, with every minor character, from Dana’s fiercely protective aunt to Mercer’s pudgy campaign chief, ratcheting up the tension, Hoag’s narrative explodes with an unexpected but believable conclusion.
A top-notch psychological thriller.Pub Date: Jan. 13, 2015
ISBN: 978-0-525-95454-5
Page Count: 368
Publisher: Dutton
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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