The ruthless patriarch, the dysfunctional family, the mysterious earlier death and the pattern of domestic abuse all suggest...

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Journalist Östlundh’s first English-language translation provides sad proof that not every crime novel that takes root under the midnight sun blossoms equally brightly.

Corporate consultant Arvid Traneus has been away from home for 10 years, spending longer and longer periods of time doing what he does best: driving his employer’s closest competitor closer to extinction. Only a few days after he returns to the Swedish island of Gotland, it becomes clear that he didn’t stay away long enough when his housecleaner arrives at work to find two blood-soaked bodies. The woman is obviously Arvid’s wife, Kristina, whom he stole away from his cousin Anders many years ago. But the man has been so savagely attacked by a razor-sharp blade—the pathologist counts 30 wounds, half of them bad enough to have individually been the cause of death—that it’s impossible to identify him. Attempting to figure out whether the corpse is that of Arvid or Anders or someone else, Fredrick Bowman and his colleagues in the Visby Police Department question Anders’ father, ex-wife and daughter, as well as Arvid’s son Rickard, a part-time accountant, and his daughter Elin, a university student in Stockholm. They pick up dark hints about the death of Arvid’s eldest child, Stefania, who died 10 years ago at the age of 19. And in the fullness of time, they discover a third corpse that raises as many questions as it answers.

The ruthless patriarch, the dysfunctional family, the mysterious earlier death and the pattern of domestic abuse all suggest that Östlundh has made a close study of Stieg Larsson’s Millenium trilogy. But this procedural is altogether slower, less surprising and more routine than its high-flying sinners seem to promise.

Pub Date: Aug. 7, 2012

ISBN: 978-0-312-64232-7

Page Count: 352

Publisher: Minotaur

Review Posted Online: July 22, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.

THINGS IN JARS

Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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